1
00:00:04,701 --> 00:00:06,267
[***]

2
00:00:06,267 --> 00:00:10,067
ALL:
* It's time for Animaniacs *

3
00:00:10,067 --> 00:00:12,701
* And we're zany to the max *

4
00:00:12,701 --> 00:00:14,467
* So just sit back and relax *

5
00:00:14,467 --> 00:00:16,133
* You'll laugh
Till you collapse *

6
00:00:16,133 --> 00:00:18,567
* We're Animaniacs *

7
00:00:18,567 --> 00:00:20,367
BOTH:
* Come join
The Warner brothers *

8
00:00:20,367 --> 00:00:22,000
* And the Warner sister, Dot *

9
00:00:22,000 --> 00:00:24,968
ALL:
* Just for fun we run around
The Warner movie lot *

10
00:00:24,968 --> 00:00:27,634
* They lock us in the tower
Whenever we get caught *

11
00:00:27,634 --> 00:00:29,367
* But we break loose
And then vamoose *

12
00:00:29,367 --> 00:00:30,567
* And now you know the plot *

13
00:00:30,567 --> 00:00:33,100
* We're Animaniacs *

14
00:00:33,100 --> 00:00:36,067
 * Dot is cute and Yakko yaks *

15
00:00:36,067 --> 00:00:37,400
 * Wakko packs away the snacks *

16
00:00:37,400 --> 00:00:39,100
 * While Bill Clinton
 Plays the sax *

17
00:00:39,100 --> 00:00:41,167
* We're Animaniacs *

18
00:00:42,267 --> 00:00:43,501
 * Meet Pinky and the Brain *

19
00:00:43,501 --> 00:00:44,968
 * Who want to rule
 The universe *

20
00:00:44,968 --> 00:00:46,367
 * Goodfeathers flock together *

21
00:00:46,367 --> 00:00:47,901
 * Slappy whacks 'em
 With her purse *

22
00:00:47,901 --> 00:00:49,200
 * Buttons chases Mindy *

23
00:00:49,200 --> 00:00:50,734
 * While Rita sings a verse *

24
00:00:50,734 --> 00:00:52,501
* The writers flipped
We have no script *

25
00:00:52,501 --> 00:00:53,667
* Why bother to rehearse? *

26
00:00:53,667 --> 00:00:56,434
* We're Animaniacs *

27
00:00:56,434 --> 00:00:59,267
* We have pay-or-play
Contracts *

28
00:00:59,267 --> 00:01:00,667
* We're zany to the max *

29
00:01:00,667 --> 00:01:02,334
* There's bologna
In our slacks *

30
00:01:02,334 --> 00:01:03,934
* We're Animan-y *

31
00:01:03,934 --> 00:01:05,334
* Totally insane-y *

32
00:01:05,334 --> 00:01:06,801
* Here's the show's name-y *

33
00:01:06,801 --> 00:01:09,033
* Animaniacs *

34
00:01:09,033 --> 00:01:10,501
* Those are the facts *

35
00:01:13,067 --> 00:01:14,300
NARRATOR:
 It's Mime Time.

36
00:01:16,968 --> 00:01:19,634
 Today on Mime Time:

37
00:01:19,634 --> 00:01:21,834
 gathering imaginary flowers.

38
00:01:23,200 --> 00:01:25,234
[***]

39
00:01:26,400 --> 00:01:27,901
[BUZZING]
[SCREAMS]

40
00:01:31,200 --> 00:01:32,834
 The end.

41
00:01:33,734 --> 00:01:35,734
[***]

42
00:01:39,133 --> 00:01:41,133
[PIANO PLAYING MEDLEY]

43
00:01:41,133 --> 00:01:44,133
[WOMAN SINGING SCALE]

44
00:01:47,534 --> 00:01:50,534
[HIGH-PITCHED SINGING]

45
00:01:55,567 --> 00:01:57,701
Let's do it again,
Günter.

46
00:01:57,701 --> 00:02:00,601
This time in full voice.

47
00:02:00,601 --> 00:02:02,801
[GULPS]
Yes, Miss Bruntwind.

48
00:02:05,234 --> 00:02:07,234
[SINGING
HIGH-PITCHED NOTE]

49
00:02:15,133 --> 00:02:16,667
[CRASH]

50
00:02:18,100 --> 00:02:21,267
Weed Memlo,
our first director.

51
00:02:21,267 --> 00:02:23,801
That's just the way
I remember him.

52
00:02:23,801 --> 00:02:25,367
This stained-glass window

53
00:02:25,367 --> 00:02:27,934
is a fitting tribute
to his hackery.

54
00:02:31,167 --> 00:02:32,501
[SINGING CONTINUES]

55
00:02:32,501 --> 00:02:34,934
ALL:
Hey, knock it off!

56
00:02:34,934 --> 00:02:36,100
[SINGING STOPS]

57
00:02:36,100 --> 00:02:37,334
Who said that?

58
00:02:37,334 --> 00:02:38,634
ALL:
Over here.

59
00:02:39,334 --> 00:02:40,601
Ew.

60
00:02:40,601 --> 00:02:42,934
Say, you think you could
keep it down a little bit?

61
00:02:42,934 --> 00:02:43,934
No!

62
00:02:43,934 --> 00:02:45,767
But you broke our window.

63
00:02:45,767 --> 00:02:46,901
I don't care.

64
00:02:48,567 --> 00:02:50,434
That went well.

65
00:02:50,434 --> 00:02:52,767
Again, Günter.

66
00:02:52,767 --> 00:02:54,767
[HIGH-PITCHED SINGING]

67
00:02:58,200 --> 00:02:59,801
[RUMBLING]

68
00:02:59,801 --> 00:03:01,634
Whoa.
Whoa, whoa!

69
00:03:03,901 --> 00:03:05,934
ALL:
Cut it out!

70
00:03:05,934 --> 00:03:07,667
You pests again.

71
00:03:07,667 --> 00:03:09,667
YAKKO:
What're you doing?
Torturing a clown?

72
00:03:09,667 --> 00:03:11,934
[GASPS]
How dare you!

73
00:03:11,934 --> 00:03:13,334
Horrid children.

74
00:03:14,601 --> 00:03:15,901
[GASPS]

75
00:03:15,901 --> 00:03:18,100
Couldn't you keep the noise
down a little bit?

76
00:03:18,100 --> 00:03:20,534
Noise?
You dare refer to

77
00:03:20,534 --> 00:03:23,267
the great Madame Bruntwind's
voice as noise?

78
00:03:23,267 --> 00:03:24,267
Uh-huh.

79
00:03:24,267 --> 00:03:26,701
I'll show you noise.

80
00:03:26,701 --> 00:03:28,634
[INHALES DEEPLY]

81
00:03:28,634 --> 00:03:31,133
[SINGING HIGH-PITCHED NOTE]

82
00:03:40,567 --> 00:03:43,968
Of course, you know,
this means Warners.

83
00:03:43,968 --> 00:03:46,167
[ORCHESTRA TUNING]

84
00:03:53,734 --> 00:03:55,734
[FANFARE PLAYING]

85
00:03:55,734 --> 00:03:58,200
[CHEERING & APPLAUSE]

86
00:04:04,167 --> 00:04:06,667
[ORCHESTRA PLAYING
BIZET'S "HABANERA"]

87
00:04:07,968 --> 00:04:11,234
 * L'amour est un oiseau
 Rebelle *

88
00:04:11,234 --> 00:04:14,434
 * Que nul ne peut apprivoiser *

89
00:04:14,434 --> 00:04:16,234
 * Et c'est bien... *

90
00:04:16,234 --> 00:04:17,701
Ah.
Ah.
Ah.

91
00:04:17,701 --> 00:04:21,367
 * S'il lui convient
 De refuser *

92
00:04:25,267 --> 00:04:27,934
[BRUNTWIND VOMITS]
ALL: Eww!

93
00:04:30,267 --> 00:04:33,667
 * L'amour est
 Enfant de Bohême *

94
00:04:33,667 --> 00:04:36,868
 * Il n'a jamais
 Jamais connu de lois *

95
00:04:36,868 --> 00:04:40,968
 * Si tu ne m'aime pas
 Je t'aime *

96
00:04:40,968 --> 00:04:43,434
 * Si je t'aime
 Prend garde à toi *

97
00:04:43,434 --> 00:04:45,367
ALL:
 * Prends garde à toi *

98
00:04:45,367 --> 00:04:48,701
 * Si tu ne m'aimes pas
 Je t'aime *

99
00:04:48,701 --> 00:04:50,801
 * Mais si je t'aime *

100
00:04:50,801 --> 00:04:52,367
ALL:
 * Prends garde à toi *

101
00:04:52,367 --> 00:04:53,434
[CRASH]

102
00:04:53,434 --> 00:04:56,334
[MUFFLED SHOUTING]

103
00:04:56,334 --> 00:04:58,200
Drum? Is someone stuck
in a drum?

104
00:04:58,200 --> 00:04:59,934
This woman
is stuck in a drum.

105
00:04:59,934 --> 00:05:01,434
ALL:
Aha!

106
00:05:01,434 --> 00:05:03,434
Don't worry,
we'll have her out in no time.

107
00:05:03,434 --> 00:05:05,267
The instrument, please.

108
00:05:06,901 --> 00:05:09,033
Bigger.

109
00:05:09,033 --> 00:05:11,267
Bigger!

110
00:05:11,267 --> 00:05:13,100
Perfect. Wakko?

111
00:05:14,234 --> 00:05:16,234
[JAZZ MUSIC PLAYING]

112
00:05:17,901 --> 00:05:19,000
[MUFFLED SHOUTING]

113
00:05:19,000 --> 00:05:20,434
[SPITTING]

114
00:05:22,300 --> 00:05:23,667
[AUDIENCE CHEERING]

115
00:05:23,667 --> 00:05:25,634
Beautiful hit
by Wakko.

116
00:05:31,501 --> 00:05:33,234
Could be a home run.

117
00:05:33,234 --> 00:05:35,400
How do you do?

118
00:05:36,934 --> 00:05:38,434
[SCREAMING]

119
00:05:38,434 --> 00:05:41,067
I got her. I got her.

120
00:05:41,067 --> 00:05:44,801
I got her. I got her!

121
00:05:45,968 --> 00:05:47,000
Safe.

122
00:05:47,000 --> 00:05:50,334
[ALL CHEERING]

123
00:05:50,334 --> 00:05:54,000
Get your hot dogs!
Ice cold hot dogs!

124
00:05:54,000 --> 00:05:55,868
[ORGAN PLAYS "CHARGE"]

125
00:05:55,868 --> 00:05:58,400
Sing, you fool. Sing!

126
00:05:59,334 --> 00:06:02,334
[SINGING NOTE]

127
00:06:03,167 --> 00:06:05,334
May I?
Of course.

128
00:06:05,334 --> 00:06:08,534
[SINGING NOTE]

129
00:06:08,534 --> 00:06:11,734
* Darling, I love you
With all my heart and soul *

130
00:06:11,734 --> 00:06:15,200
* Unfortunately
You're too heavy to hold *

131
00:06:15,200 --> 00:06:18,434
* You and I
Will live in splendid bliss *

132
00:06:18,434 --> 00:06:21,501
* Now, give me a big kiss *

133
00:06:24,467 --> 00:06:27,033
Get out of my life!

134
00:06:27,033 --> 00:06:29,434
You shouldn't go breaking
people's windows.

135
00:06:29,434 --> 00:06:31,467
Ohh!

136
00:06:31,467 --> 00:06:33,033
Play!

137
00:06:33,033 --> 00:06:35,167
[ORCHESTRA RESUMES PLAYING]

138
00:06:38,234 --> 00:06:40,534
* La, la, la, la *

139
00:06:40,534 --> 00:06:43,200
* Tra, la, la, la *

140
00:06:43,200 --> 00:06:45,534
* Tra, la, la, la *

141
00:06:45,534 --> 00:06:47,334
* Tra, la, la, la, la *

142
00:06:47,334 --> 00:06:48,400
Oh!

143
00:06:48,400 --> 00:06:50,534
* Tra, la, la, la *

144
00:06:50,534 --> 00:06:53,534
*La, la-- *
Whoa!

145
00:06:53,534 --> 00:06:54,968
*Tra, la, la *

146
00:06:54,968 --> 00:06:56,033
Ooh!

147
00:06:56,033 --> 00:06:57,834
*Tra, la, la, la-- *
Oohh!

148
00:06:57,834 --> 00:07:00,534
[SINGING & YELLING]

149
00:07:03,234 --> 00:07:06,167
[SINGING & YELLING]

150
00:07:07,200 --> 00:07:08,934
[SCREAMING]

151
00:07:08,934 --> 00:07:11,000
[CHEERING & APPLAUSE]

152
00:07:26,234 --> 00:07:27,267
[CRASH]

153
00:07:27,267 --> 00:07:29,968
[CHEERING & APPLAUSE]

154
00:07:31,501 --> 00:07:33,501
You know, I...

155
00:07:33,501 --> 00:07:35,634
think I could really get
to like opera.

156
00:07:35,634 --> 00:07:37,133
[***]

157
00:07:39,601 --> 00:07:41,100
[***]

158
00:07:41,100 --> 00:07:44,000
 * Like Abbott and Costello
 Like Sonny and Cher *

159
00:07:44,000 --> 00:07:47,133
 * Like Martin and Lewis
 They're a perfect pair *

160
00:07:47,133 --> 00:07:50,000
 * Like Laurel and Hardy
 Like Fontanne and Lunt *

161
00:07:50,000 --> 00:07:53,601
 * They're perfectly mismatched
 They're Rita and Runt *

162
00:07:55,234 --> 00:07:57,234
[***]

163
00:08:01,400 --> 00:08:04,634
NARRATOR:
 1939: in war-torn Europe,

164
00:08:04,634 --> 00:08:07,033
 the army of the Third Reich
 invades Poland.

165
00:08:07,033 --> 00:08:09,501
 As Warsaw falls
 to the enemy forces,

166
00:08:09,501 --> 00:08:11,868
 Polish freedom fighters
 fight back.

167
00:08:14,167 --> 00:08:16,167
[***]

168
00:08:23,334 --> 00:08:24,701
You know, Runt,

169
00:08:24,701 --> 00:08:27,334
we never should've taken
that left turn at Pacoima.

170
00:08:27,334 --> 00:08:29,400
This doesn't look
like Burbank.

171
00:08:29,400 --> 00:08:31,033
RUNT:
Definitely not Burbank.

172
00:08:33,100 --> 00:08:36,834
* Just look into my eyes *

173
00:08:36,834 --> 00:08:41,100
* Tell me what you see *

174
00:08:41,100 --> 00:08:44,767
* This looks more like
Van Nuys *

175
00:08:44,767 --> 00:08:49,033
* Than Burbank to me *

176
00:08:49,033 --> 00:08:52,834
* Just listen to the call *

177
00:08:52,834 --> 00:08:56,968
* Oh, and ain't it sweet? *

178
00:08:56,968 --> 00:09:00,868
* No matter how we fall *

179
00:09:00,868 --> 00:09:04,834
* We land on our feet *

180
00:09:05,968 --> 00:09:07,968
* Oh, you and I *

181
00:09:07,968 --> 00:09:14,067
* We're like a masquerader *

182
00:09:14,067 --> 00:09:17,868
* Who travels incognito *

183
00:09:17,868 --> 00:09:21,634
* With a friend *

184
00:09:21,634 --> 00:09:25,133
* No matter where you go *

185
00:09:25,133 --> 00:09:30,033
* You'll see me later *

186
00:09:30,033 --> 00:09:36,000
* I know we'll be together
In the end *

187
00:09:36,000 --> 00:09:37,067
Ah.

188
00:09:37,067 --> 00:09:38,834
Rita!

189
00:09:38,834 --> 00:09:41,267
SOLDIER:
Halt! Stop them! Desist!

190
00:09:41,267 --> 00:09:43,300
[MEN SHOUTING IN GERMAN]

191
00:09:43,300 --> 00:09:45,367
Soldiers! Let's scram!

192
00:09:45,367 --> 00:09:47,968
[***]

193
00:09:50,467 --> 00:09:51,634
[RUNT GRUNTS]

194
00:09:55,834 --> 00:09:57,734
[BOTH PANTING]

195
00:10:00,734 --> 00:10:02,634
SOLDIER:
Check the alley.

196
00:10:19,434 --> 00:10:22,400
MAN:
Where is he?

197
00:10:22,400 --> 00:10:24,400
He can't be far,
Herr Commandant.

198
00:10:24,400 --> 00:10:27,133
Search the area! The leader
of the Polish underground

199
00:10:27,133 --> 00:10:29,467
must not escape the city.

200
00:10:29,467 --> 00:10:30,534
 Jawohl.

201
00:10:32,968 --> 00:10:34,968
[***]

202
00:10:47,467 --> 00:10:49,567
[FOOTSTEPS APPROACHING]
Shh.

203
00:10:55,067 --> 00:10:57,300
They're looking for me,
not you.

204
00:10:57,300 --> 00:10:59,667
Katrina, darling,
this is important.

205
00:10:59,667 --> 00:11:02,067
If anything should happen,
no matter--
No.

206
00:11:02,067 --> 00:11:03,734
You know where
the station is?

207
00:11:03,734 --> 00:11:05,167
Now, this is your ticket.

208
00:11:05,167 --> 00:11:07,901
The train leaves at 5 p.m.

209
00:11:07,901 --> 00:11:08,968
Papa?

210
00:11:10,133 --> 00:11:11,634
Papa.

211
00:11:12,334 --> 00:11:14,267
Papa!

212
00:11:19,033 --> 00:11:20,634
Do you believe this guy?

213
00:11:20,634 --> 00:11:22,501
Abandoning her just like that.

214
00:11:22,501 --> 00:11:24,834
Of all the low-down, dirty--

215
00:11:28,400 --> 00:11:29,400
[GASPS]

216
00:11:31,267 --> 00:11:33,667
[GROWLING]

217
00:11:33,667 --> 00:11:36,434
 Was is it, Schnappsie?
What do you hear?

218
00:11:36,434 --> 00:11:39,300
[BARKING]

219
00:11:41,968 --> 00:11:43,601
[SNIFFING]

220
00:11:44,534 --> 00:11:47,167
[GROWLS, BARKING]

221
00:11:52,367 --> 00:11:54,501
[GROWLING]

222
00:11:55,100 --> 00:11:58,367
[YOWLING]

223
00:12:00,033 --> 00:12:03,133
Deck him, deck him,
definitely deck him, Rita.

224
00:12:03,133 --> 00:12:05,434
[GROWLING]

225
00:12:06,167 --> 00:12:07,901
[HISSING, BARKING]

226
00:12:13,334 --> 00:12:15,701
How 'bout a little support,
huh, Runt?

227
00:12:15,701 --> 00:12:16,868
You're a good dog, Rita.

228
00:12:16,868 --> 00:12:18,000
You fight very nicely.

229
00:12:18,000 --> 00:12:19,834
Definitely,
definitely a good dog.

230
00:12:19,834 --> 00:12:21,534
[YOWLING]

231
00:12:21,534 --> 00:12:23,367
[HISSING, BARKING]

232
00:12:29,634 --> 00:12:31,501
[WHIMPERING]

233
00:12:31,501 --> 00:12:33,267
[HISSING]

234
00:12:33,267 --> 00:12:34,434
[WHIMPERING]

235
00:12:36,300 --> 00:12:38,534
Oh, what a wonderful cat.

236
00:12:38,534 --> 00:12:40,200
Thank you, thank you.

237
00:12:40,200 --> 00:12:41,801
[WHISTLE BLOWING]

238
00:12:41,801 --> 00:12:43,334
[FOOTSTEPS APPROACHING]

239
00:12:43,334 --> 00:12:45,734
Hey, wait for me!

240
00:12:48,767 --> 00:12:50,467
[WHISTLE BLOWS]
Halt!

241
00:12:52,334 --> 00:12:55,267
You've done a good job,
Schnappsie.

242
00:12:55,267 --> 00:12:57,033
[GROWLING]

243
00:12:57,033 --> 00:12:58,667
Now we must follow them.

244
00:12:58,667 --> 00:13:02,367
The child will lead us
to the father.

245
00:13:02,367 --> 00:13:05,100
Hurry, Papa's waiting
at the train station.

246
00:13:06,467 --> 00:13:08,734
We're going
to a new home far away.

247
00:13:08,734 --> 00:13:12,000
There'll be a big backyard
and trees and flowers.

248
00:13:12,000 --> 00:13:13,033
[SIGHS]

249
00:13:13,033 --> 00:13:15,601
And we'll all be so very happy.

250
00:13:21,033 --> 00:13:23,467
Poor kid's living
in a dream world.

251
00:13:23,467 --> 00:13:25,801
Yeah. Dream world.
So sad.

252
00:13:25,801 --> 00:13:28,467
She really believes
her dad's waiting.

253
00:13:28,467 --> 00:13:29,934
Very sad.

254
00:13:29,934 --> 00:13:31,968
That human's long gone.

255
00:13:31,968 --> 00:13:33,200
Sad.

256
00:13:33,200 --> 00:13:36,701
* Don't leave it up to fate *

257
00:13:36,701 --> 00:13:41,267
* For the odds are slim *

258
00:13:41,267 --> 00:13:45,000
* Don't gamble with your life *

259
00:13:45,000 --> 00:13:49,167
* You can never win *

260
00:13:49,167 --> 00:13:52,934
* We'll see her
To the train *

261
00:13:52,934 --> 00:13:57,100
* Then we'll leave Warsaw *

262
00:13:57,100 --> 00:14:01,300
* After the child
Is reconciled *

263
00:14:01,300 --> 00:14:05,067
*With her papa *

264
00:14:05,067 --> 00:14:06,701
Hurry or we'll be late!

265
00:14:12,234 --> 00:14:15,133
Wow.
Look at all the rocks, Rita.

266
00:14:15,133 --> 00:14:19,367
Hundred and forty-seven.
Yeah, definitely, 147 rocks.

267
00:14:19,367 --> 00:14:21,133
COMMANDANT:
There they go, Schnappsie.

268
00:14:23,133 --> 00:14:27,100
[CLOCK CHIMING]

269
00:14:30,567 --> 00:14:33,534
[IMITATING TRAIN CHUGGING]

270
00:14:37,601 --> 00:14:40,367
MAN [OVER PA]:
 Departing 4:05
 on Track Number 9

271
00:14:40,367 --> 00:14:43,334
 with stops in Krakow,
 Gdansk, Hamburg,

272
00:14:43,334 --> 00:14:44,667
 Berlin, Frankfurt,

273
00:14:44,667 --> 00:14:47,634
 Alsace-Lorraine,
 Nancy, and Paris.

274
00:14:51,133 --> 00:14:53,801
All aboard!

275
00:14:53,801 --> 00:14:55,834
I don't see Papa yet.

276
00:14:55,834 --> 00:14:57,234
[TOOTING]

277
00:14:57,234 --> 00:14:59,234
[ENGINE CHUGGING]

278
00:14:59,234 --> 00:15:02,300
Papa! Papa!

279
00:15:02,300 --> 00:15:03,334
Papa!

280
00:15:07,567 --> 00:15:09,334
I hate this part.

281
00:15:11,667 --> 00:15:13,000
Katrina!

282
00:15:13,501 --> 00:15:14,934
Papa?

283
00:15:14,934 --> 00:15:17,100
Katrina!
Katrina, darling!

284
00:15:23,968 --> 00:15:25,367
Run, Katrina!

285
00:15:31,534 --> 00:15:34,467
This is good, definitely good.

286
00:15:34,467 --> 00:15:36,968
You can do it, darling.
[WHISTLE BLOWS]

287
00:15:36,968 --> 00:15:38,300
COMMANDANT:
After that girl!

288
00:15:38,300 --> 00:15:39,467
Uh-oh.

289
00:15:39,467 --> 00:15:40,767
Stop her!

290
00:15:40,767 --> 00:15:42,968
He'll never leave
without his daughter.

291
00:15:42,968 --> 00:15:44,367
Grab her!

292
00:15:44,367 --> 00:15:46,634
[BARKING]

293
00:15:46,634 --> 00:15:49,200
That's right, darling,
just grab my hand.

294
00:15:55,334 --> 00:15:57,334
[***]

295
00:16:01,334 --> 00:16:03,667
[SCHNAPPSIE BARKING]

296
00:16:07,834 --> 00:16:09,000
[GROWLING]

297
00:16:12,534 --> 00:16:14,601
[SCHNAPPSIE GROWLING]

298
00:16:14,601 --> 00:16:15,601
[YELPS]

299
00:16:17,868 --> 00:16:20,234
Oh, Daddy!

300
00:16:20,234 --> 00:16:22,234
[***]

301
00:16:30,567 --> 00:16:32,734
Have a nice life, Rita.

302
00:16:37,667 --> 00:16:39,367
Sic him, Schnappsie!

303
00:16:44,400 --> 00:16:46,701
[BOTH GROWLING]

304
00:16:47,968 --> 00:16:49,834
It was nice while it lasted.

305
00:16:52,367 --> 00:16:53,767
[YOWLING]

306
00:16:54,601 --> 00:16:56,634
[BARKING]

307
00:16:58,133 --> 00:16:59,667
[HISSING, BARKING]

308
00:16:59,667 --> 00:17:00,801
[YELPS]

309
00:17:00,801 --> 00:17:02,200
[WHIMPERING]

310
00:17:04,734 --> 00:17:07,300
Gee, Rita, you were on your way
to a nice new home

311
00:17:07,300 --> 00:17:09,267
with a big backyard
and everything.

312
00:17:09,267 --> 00:17:10,834
What happened?

313
00:17:12,300 --> 00:17:13,868
[TRAIN WHISTLE TOOTS]

314
00:17:13,868 --> 00:17:17,267
Well, there's always tomorrow.

315
00:17:17,267 --> 00:17:25,133
* You know I should have
My head examined *

316
00:17:25,133 --> 00:17:31,767
* The fact is
I could not go without you *

317
00:17:33,167 --> 00:17:36,133
* I'm fond of your slow wit *

318
00:17:36,133 --> 00:17:39,601
* And your bad hairdo *

319
00:17:41,234 --> 00:17:44,434
* We'll always be together *

320
00:17:44,434 --> 00:17:47,767
* Me and you *

321
00:17:49,367 --> 00:17:51,167
[SIGHS]

322
00:17:54,133 --> 00:17:55,868
Gee, you're sweet,
Rita.

323
00:17:55,868 --> 00:17:57,200
Definitely sweet.

324
00:17:57,200 --> 00:17:59,934
Definitely,
definitely sweet.

325
00:18:03,534 --> 00:18:05,567
[***]

326
00:18:09,467 --> 00:18:12,467
[ORCHESTRA TUNING]

327
00:18:17,601 --> 00:18:20,100
ANNOUNCER:
 And now performing
 another classical work,

328
00:18:20,100 --> 00:18:22,300
 the great Wakkorotti.

329
00:18:22,300 --> 00:18:24,067
[APPLAUSE]

330
00:18:28,968 --> 00:18:30,467
[APPLAUSE STOPS]

331
00:18:38,033 --> 00:18:41,033
[PLAYING PONCHIELLI'S
"DANCE OF THE HOURS"]

332
00:18:47,801 --> 00:18:49,801
[BELCHING]

333
00:19:39,200 --> 00:19:41,200
[BELCHING]

334
00:19:53,701 --> 00:19:55,367
[CHEERING & APPLAUSE]

335
00:19:59,367 --> 00:20:00,968
Excuse me.

336
00:20:00,968 --> 00:20:02,868
Oh, excuse me.

337
00:20:02,868 --> 00:20:04,667
Excuse me.

338
00:20:04,667 --> 00:20:06,868
Excuse me.

339
00:20:10,067 --> 00:20:11,868
NARRATOR:
 It's Mime Time.

340
00:20:13,968 --> 00:20:16,534
 Today on Mime Time:

341
00:20:16,534 --> 00:20:18,767
 climbing an imaginary mountain.

342
00:20:27,033 --> 00:20:28,501
 The end.

343
00:20:29,934 --> 00:20:31,934
[***]

344
00:21:05,767 --> 00:21:08,000
It's over.
It's definitely over.