1
00:00:06,300 --> 00:00:10,067
* IT'S TIME FOR ANIMANIACS *

2
00:00:10,067 --> 00:00:12,634
* AND WE'RE ZANY
TO THE MAX *

3
00:00:12,634 --> 00:00:14,267
* SO JUST SIT BACK
AND RELAX *

4
00:00:14,267 --> 00:00:16,100
* YOU'LL LAUGH
TILL YOU COLLAPSE *

5
00:00:16,100 --> 00:00:18,501
* WE'RE ANIMANIACS *

6
00:00:18,501 --> 00:00:20,300
* COME JOIN
THE WARNER BROTHERS *

7
00:00:20,300 --> 00:00:21,634
* AND THE WARNER
SISTER DOT *

8
00:00:21,634 --> 00:00:23,167
* JUST FOR FUN
WE RUN AROUND *

9
00:00:23,167 --> 00:00:24,901
* THE WARNER MOVIE LOT 

10
00:00:24,901 --> 00:00:26,000
* THEY LOCK US
IN THE TOWER *

11
00:00:26,000 --> 00:00:27,567
* WHENEVER WE GET CAUGHT 

12
00:00:27,567 --> 00:00:29,067
* BUT WE BREAK LOOSE
AND THEN VAMOOSE *

13
00:00:29,067 --> 00:00:30,467
* AND NOW YOU KNOW
THE PLOT *

14
00:00:30,467 --> 00:00:32,801
* WE'RE ANIMANIACS *

15
00:00:32,801 --> 00:00:33,868
* DOT IS CUTE 

16
00:00:33,868 --> 00:00:35,934
* AND YAKKO YAKS 

17
00:00:35,934 --> 00:00:37,300
* WAKKO PACKS AWAY
THE SNACKS *

18
00:00:37,300 --> 00:00:39,200
* WHILE BILL CLINTON
PLAYS THE SAX *

19
00:00:39,200 --> 00:00:42,200
* WE'RE ANIMANIACS *

20
00:00:42,200 --> 00:00:43,334
* MEET PINKY AND THE BRAIN 

21
00:00:43,334 --> 00:00:44,901
* WHO WANT TO RULE
THE UNIVERSE *

22
00:00:44,901 --> 00:00:46,133
* GOODFEATHERS
FLOCK TOGETHER *

23
00:00:46,133 --> 00:00:47,767
* SLAPPY WHACKS 'EM
WITH HER PURSE *

24
00:00:47,767 --> 00:00:49,234
* BUTTONS CHASES MINDY 

25
00:00:49,234 --> 00:00:50,667
* WHILE RITA SINGS A VERSE 

26
00:00:50,667 --> 00:00:52,334
* THE WRITERS FLIPPED,
WE HAVE NO SCRIPT *

27
00:00:52,334 --> 00:00:53,734
* WHY BOTHER TO REHEARSE? 

28
00:00:53,734 --> 00:00:56,033
* WE'RE ANIMANIACS *

29
00:00:56,033 --> 00:00:59,267
* WE HAVE PAY-OR-PLAY
CONTRACTS *

30
00:00:59,267 --> 00:01:00,701
* WE'RE ZANY TO THE MAX *

31
00:01:00,701 --> 00:01:02,334
* THERE'S BALONEY
IN OUR SLACKS *

32
00:01:02,334 --> 00:01:03,734
* WE'RE ANIMANEE *

33
00:01:03,734 --> 00:01:05,367
* TOTALLY INSANE-Y 

34
00:01:05,367 --> 00:01:06,734
* WHERE'S LON CHANEY *

35
00:01:06,734 --> 00:01:08,968
* ANIMANIACS 

36
00:01:08,968 --> 00:01:31,467
* THOSE ARE THE FACTS *

37
00:01:33,567 --> 00:01:36,367
CAPTIONING MADE POSSIBLE BY
U.S. DEPARTMENT OF EDUCATION
AND FOX BROADCASTING COMPANY

38
00:01:37,334 --> 00:01:38,834
[SWEDISH ACCENT]
COME ON, SVEN.

39
00:01:38,834 --> 00:01:40,334
YOU CAN DO IT.

40
00:01:40,334 --> 00:01:42,901
I BET MY VOLVO ON YOU.

41
00:01:48,701 --> 00:01:51,100
[CROWD CHEERING]

42
00:01:55,067 --> 00:01:56,501
ISN'T IT GREAT, WAKKO?

43
00:01:56,501 --> 00:01:58,534
ALL THOSE TIMES
WE TALKED

44
00:01:58,534 --> 00:02:01,601
ABOUT COMING
TO THE SWEDISH MEATBALL
FESTIVAL,

45
00:02:01,601 --> 00:02:02,968
AND NOW WE'RE HERE.

46
00:02:02,968 --> 00:02:05,033
THANKS TO PUBLISHER'S
SMEARING HOUSE.

47
00:02:05,033 --> 00:02:06,467
THAT'S THE LAST MEATBALL.

48
00:02:06,467 --> 00:02:09,033
SWALLOW IT
AND YOU'RE THE WINNER.

49
00:02:09,033 --> 00:02:10,567
YOU'VE ALREADY HAD 500.

50
00:02:10,567 --> 00:02:12,400
ONE MORE ISN'T
GOING TO HURT.

51
00:02:12,400 --> 00:02:15,534
HONEST, GUYS,
IF I EAT ONE MORE,

52
00:02:15,534 --> 00:02:17,667
I'M GOING TO DIE.

53
00:02:23,367 --> 00:02:26,400
RIGHT YOU ARE, WAKKO WARNER.

54
00:02:26,400 --> 00:02:30,901
ONE MORE MEATBALL
AND YOU'RE OFFICIALLY MINE.

55
00:02:43,334 --> 00:02:45,367
[CROWD CHEERING]

56
00:02:45,367 --> 00:02:47,300
THAT'S OUR LITTLE
GARBAGE DISPOSAL.

57
00:02:47,300 --> 00:02:51,267
WAKKO WARNER.

58
00:02:54,701 --> 00:02:57,200
YOUR TIME HAS COME.

59
00:02:59,167 --> 00:03:00,234
BETTER GO.

60
00:03:00,234 --> 00:03:02,033
GOT TO HELP THE WIFE

61
00:03:02,033 --> 00:03:04,234
EXPORT SOME
IRON ORE.

62
00:03:07,133 --> 00:03:08,234
I AM DEATH,

63
00:03:08,234 --> 00:03:10,367
AND I HEREBY
DECLARE YOU

64
00:03:10,367 --> 00:03:11,868
TO BE
LIVING IMPAIRED.

65
00:03:11,868 --> 00:03:14,367
HENCE YOU MUST
GO WITH ME

66
00:03:14,367 --> 00:03:17,100
TO A DARK KINGDOM
OF NO RETURN.

67
00:03:17,100 --> 00:03:18,601
O.K., THAT SOUNDS FUN.

68
00:03:18,601 --> 00:03:20,100
WHEN DO WE LEAVE?

69
00:03:20,100 --> 00:03:23,167
DO BEARS LIVE THERE?
WANT SOME MEATBALL GREASE?

70
00:03:23,167 --> 00:03:25,667
DON'T DO THAT.
IT ATTRACTS ANTS.

71
00:03:25,667 --> 00:03:27,968
COME. WE'RE
WASTING ETERNITY.

72
00:03:29,200 --> 00:03:32,901
MISTER, ARE YOU
ABOUT TO DRAG
OUR BROTHER OFF

73
00:03:32,901 --> 00:03:35,801
TO A BLEAK,
NETHER REALM OF DESPAIR

74
00:03:35,801 --> 00:03:39,167
WHERE THE FUTURE'S
AN ENDLESS SEA
OF MISERY?

75
00:03:39,167 --> 00:03:40,367
YA.

76
00:03:40,367 --> 00:03:43,334
WE WANT TO GO, TOO.

77
00:03:43,334 --> 00:03:45,834
I HAVEN'T
A THING TO WEAR.

78
00:03:45,834 --> 00:03:47,334
BE A SPORT.

79
00:03:47,334 --> 00:03:48,667
TAKE US, TOO.

80
00:03:48,667 --> 00:03:51,634
IF YOU'RE NOT ON
THE OFFICIAL LIST,

81
00:03:51,634 --> 00:03:52,968
YOU CAN'T GO.

82
00:03:52,968 --> 00:03:55,501
PLEASE DON'T
SEPARATE US, MR. DEATH.

83
00:03:55,501 --> 00:03:57,634
WE LOVE EACH OTHER.

84
00:03:57,634 --> 00:03:59,334
WE'RE A FAMILY, A SET,

85
00:03:59,334 --> 00:04:02,901
LIKE CIVIL WAR CHESS PIECES
FROM THE FRANKLIN MINT.

86
00:04:02,901 --> 00:04:04,834
AS YOU WILL CLEARLY NOTE

87
00:04:04,834 --> 00:04:07,334
IN SECTION 5,
SUBSECTION 9,

88
00:04:07,334 --> 00:04:09,334
PARAGRAPH 2,
FIRST SENTENCE.

89
00:04:09,334 --> 00:04:10,467
I QUOTE...

90
00:04:10,467 --> 00:04:12,834
I LOVE STORY TIME.

91
00:04:12,834 --> 00:04:14,334
"ONLY AUTHORIZED DECEASED,

92
00:04:14,334 --> 00:04:16,667
"DEFINED AS THOSE
LIVING IMPAIRED

93
00:04:16,667 --> 00:04:19,167
"WHOSE NAMES HAVE BEEN
DULY RECORDED

94
00:04:19,167 --> 00:04:20,667
"ON THE OFFICIAL LIST,

95
00:04:20,667 --> 00:04:22,167
"MAY ACCOMPANY DEATH

96
00:04:22,167 --> 00:04:24,167
"OR A LEGALLY
DESIGNATED AGENT

97
00:04:24,167 --> 00:04:25,200
THEREUNTO PERTAINING,"

98
00:04:25,200 --> 00:04:28,334
AND WAKKO WARNER
IS THE ONLY WARNER LISTED.

99
00:04:28,334 --> 00:04:31,400
YOU CAN'T GO
BECAUSE YOU'RE NOT DEAD,

100
00:04:31,400 --> 00:04:35,267
AND YOU'RE NOT DEAD
BECAUSE YOU'RE NOT
ON THE LIST.

101
00:04:35,267 --> 00:04:36,367
GOOD DAY.

102
00:04:36,367 --> 00:04:39,934
WE WANT TO STAY TOGETHER!

103
00:04:39,934 --> 00:04:41,434
I'M
A BONDED CARRIER.

104
00:04:41,434 --> 00:04:43,501
I CAN'T BRING
UNAUTHORIZED
PERSONNEL.

105
00:04:43,501 --> 00:04:44,834
WHY?

106
00:04:44,834 --> 00:04:47,434
OUR INSURANCE
WON'T COVER YOU
IN AN ACCIDENT.

107
00:04:47,434 --> 00:04:48,701
WHY?

108
00:04:48,701 --> 00:04:51,901
BECAUSE WE CAN'T
AFFORD THE INSURANCE
PREMIUMS.

109
00:04:51,901 --> 00:04:53,300
WHY?
WHY?

110
00:04:53,300 --> 00:04:54,834
NOT IN THE BUDGET.

111
00:04:54,834 --> 00:04:56,133
WHY?
WHY?

112
00:04:56,133 --> 00:04:58,200
LISTEN, YOU NASTY
LITTLE MUNCHKINS.

113
00:04:58,200 --> 00:05:01,133
I DON'T GET PAID EXTRA
FOR BRINGING TOURISTS.

114
00:05:01,133 --> 00:05:02,100
BUG OFF!

115
00:05:02,100 --> 00:05:03,868
AAH!
AAH!

116
00:05:04,934 --> 00:05:06,334
THERE, I'VE SAID IT.

117
00:05:06,334 --> 00:05:08,367
I FEEL BETTER.

118
00:05:08,367 --> 00:05:11,834
BUT WE WANT TO
STAY TOGETHER.

119
00:05:11,834 --> 00:05:14,834
[CRYING]

120
00:05:14,834 --> 00:05:17,367
STOP ACTING LIKE BIG BABIES.

121
00:05:17,367 --> 00:05:20,234
WE ARE NOT BIG BABIES.

122
00:05:20,234 --> 00:05:22,367
THESE ARE
BIG BABIES.

123
00:05:22,367 --> 00:05:24,400
[CRYING]

124
00:05:27,467 --> 00:05:30,133
ALL RIGHT, FINE. YOU WIN.

125
00:05:31,868 --> 00:05:33,901
HOW SPIELBERGIAN.

126
00:05:42,100 --> 00:05:44,100
ALL IS STRANGE
AND VAGUE.

127
00:05:44,100 --> 00:05:45,601
ARE WE DEAD...

128
00:05:45,601 --> 00:05:47,534
OR IS THIS OHIO?

129
00:05:47,534 --> 00:05:48,801
YOU'RE NOT DEAD,

130
00:05:48,801 --> 00:05:51,834
BUT IF YOU MUST STAY
WITH YOUR BROTHER,

131
00:05:51,834 --> 00:05:54,367
THEN APPENDIX 3
CONTAINS A CLAUSE

132
00:05:54,367 --> 00:05:56,200
ALLOWING THE CARRIER,
THAT'S ME,

133
00:05:56,200 --> 00:06:00,834
TO PLAY YOU
IN A LIFE-OR-DEATH GAME
OF CHESS.

134
00:06:00,834 --> 00:06:03,767
CHESS
IS UNKNOWN TO US.
WE PREFER CHECKERS.

135
00:06:03,767 --> 00:06:05,267
CHECKERS IT IS.

136
00:06:05,267 --> 00:06:08,534
UNLESS YOU HAVE
UNCLE WIGGLY
OR CANDYLAND.

137
00:06:09,601 --> 00:06:12,067
I WIN, WAKKO GOES WITH ME.

138
00:06:12,067 --> 00:06:16,133
YOU WIN,
AND THE THREE OF YOU
STAY TOGETHER FOREVER.

139
00:06:16,133 --> 00:06:17,133
AGREED?

140
00:06:17,133 --> 00:06:18,133
WE ACCEPT.

141
00:06:18,133 --> 00:06:20,000
TO ACCEPT IS TO YIELD.

142
00:06:20,000 --> 00:06:23,133
TO YIELD IS TO ALLOW
ONCOMING TRAFFIC

143
00:06:23,133 --> 00:06:24,767
THE RIGHT OF WAY.

144
00:06:24,767 --> 00:06:28,067
YOUR BREATH
IS LIKE THE BREEZE
OF A LANDFILL.

145
00:06:28,067 --> 00:06:31,868
FOOD PARTICLES
ARE WEDGED BETWEEN
YOUR TEETH.

146
00:06:31,868 --> 00:06:33,367
COULD WE GET STARTED

147
00:06:33,367 --> 00:06:36,567
SOMETIME BEFORE
THE NEXT ICE AGE?

148
00:06:38,400 --> 00:06:39,901
WOW! THAT WAS NEAT.

149
00:06:39,901 --> 00:06:42,567
CAN YOU CHANGE IT
INTO VIRTUAL REALITY?

150
00:06:42,567 --> 00:06:44,634
FEEL FREE TO MOVE FIRST.

151
00:06:44,634 --> 00:06:46,067
IT REALLY DOESN'T MATTER.

152
00:06:46,067 --> 00:06:49,133
I HAVEN'T LOST AT CHECKERS
SINCE TIME BEGAN.

153
00:06:49,133 --> 00:06:50,634
WHEN WAS THAT?

154
00:06:50,634 --> 00:06:52,133
IT WAS A TUESDAY.

155
00:06:52,133 --> 00:06:53,400
FEW PEOPLE KNOW THAT.

156
00:06:53,400 --> 00:06:54,801
YOUR MOVE.

157
00:06:56,434 --> 00:06:57,868
WHAT'S DEATH LIKE, WAKKO?

158
00:06:57,868 --> 00:06:59,067
PRETTY BORING.

159
00:06:59,067 --> 00:07:01,701
I'VE ALREADY HUMMED
ALL THE SONGS
I KNOW.

160
00:07:08,834 --> 00:07:10,834
HA HA HA!

161
00:07:10,834 --> 00:07:12,067
CROWN ME.

162
00:07:15,334 --> 00:07:18,133
WHY, YOU MISERABLE
LITTLE HAMSTERS.

163
00:07:18,133 --> 00:07:19,834
LOOK!
IT'S MERV GRIFFIN!

164
00:07:19,834 --> 00:07:21,200
WHERE?

165
00:07:21,200 --> 00:07:22,701
OH, SORRY.
MY MISTAKE.

166
00:07:22,701 --> 00:07:25,100
IT WAS JUST
A BIG CLOUD.

167
00:07:25,100 --> 00:07:26,200
YOUR MOVE.

168
00:07:28,767 --> 00:07:31,234
OH, BOY.
YOU'RE IN TROUBLE NOW.

169
00:07:31,234 --> 00:07:32,734
WHAT DO I DO?

170
00:07:32,734 --> 00:07:34,300
IF I WERE YOU,

171
00:07:34,300 --> 00:07:36,634
I'D MOVE THERE,
THERE, AND THERE.

172
00:07:43,934 --> 00:07:46,534
DUH! MAYBE
I'LL MOVE HERE.

173
00:07:48,567 --> 00:07:49,801
GUESS WHO.

174
00:07:49,801 --> 00:07:51,400
UH, CRISPIN GLOVER?

175
00:07:51,400 --> 00:07:52,334
NOPE.

176
00:07:52,334 --> 00:07:53,634
KATHIE LEE GIFFORD.

177
00:07:53,634 --> 00:07:55,000
NO. YOU'RE WAY OFF.

178
00:07:55,000 --> 00:07:56,567
THAT URKEL KID.

179
00:07:56,567 --> 00:07:58,968
HEY, YOU PEEKED.

180
00:07:58,968 --> 00:08:01,734
YOU PUT UP A HECK
OF A FIGHT

181
00:08:01,734 --> 00:08:03,167
FOR A LITERARY
PERSONIFICATION

182
00:08:03,167 --> 00:08:04,767
OF THE STATE
OF NONBEING.

183
00:08:04,767 --> 00:08:06,367
READ THAT IN COSMO.

184
00:08:06,367 --> 00:08:08,801
I LOST. A DEAL'S A DEAL,

185
00:08:08,801 --> 00:08:10,701
SO LET'S MAKE IT OFFICIAL.

186
00:08:10,701 --> 00:08:12,701
I SAID IF YOU WON,

187
00:08:12,701 --> 00:08:15,701
THE THREE OF YOU WOULD BE
TOGETHER FOREVER.

188
00:08:15,701 --> 00:08:17,701
THUS,
YAKKO AND DOT WARNER,

189
00:08:17,701 --> 00:08:20,934
I HEREBY DECLARE YOU
TO BE LIVING IMPAIRED.

190
00:08:20,934 --> 00:08:23,234
YOU'RE ALL DEAD.

191
00:08:23,234 --> 00:08:25,901
HA HA HA!

192
00:08:25,901 --> 00:08:28,300
DOES THIS COME OFF
WITH WATER?

193
00:08:28,300 --> 00:08:31,234
I DIDN'T TELL YOU
PESKY LITTLE THINGS

194
00:08:31,234 --> 00:08:33,734
ABOUT THE SUBCLAUSE
TO APPENDIX 3

195
00:08:33,734 --> 00:08:36,734
THAT RENDERS
ALL PREVIOUS CLAUSES
AND AMENDMENTS

196
00:08:36,734 --> 00:08:39,868
NULL AND VOID
SHOULD I LOSE
AT CHECKERS.

197
00:08:41,400 --> 00:08:43,868
THAT MEANS
WE'LL BE A FAMILY.

198
00:08:43,868 --> 00:08:46,300
CAN WE CALL YOU
DAD-DOO?

199
00:08:46,300 --> 00:08:48,868
CAN WE STAY UP PAST 10:00?

200
00:08:48,868 --> 00:08:50,934
CAN WE WATCH
THE ADULT CHANNEL?

201
00:08:50,934 --> 00:08:52,000
HELLO, NURSE.

202
00:08:52,000 --> 00:08:53,934
DON'T CALL ME DAD-DOO.

203
00:08:53,934 --> 00:08:56,434
TRY AND MAINTAIN
THE PROPER ATTITUDE

204
00:08:56,434 --> 00:08:59,868
OF FEAR AND RESPECT
DUE TO ME BY REGULATIONS.

205
00:08:59,868 --> 00:09:01,868
AT LEAST TREMBLE A LITTLE.

206
00:09:01,868 --> 00:09:04,300
TAKE US FOR A PONY RIDE.

207
00:09:04,300 --> 00:09:07,200
PONY RIDE! PONY RIDE!
PONY RIDE!

208
00:09:07,200 --> 00:09:08,200
YEE-HA!

209
00:09:08,200 --> 00:09:09,200
GIT UP!

210
00:09:09,200 --> 00:09:11,567
AND A TI-YI-YIPPEE
IN A BOW.

211
00:09:11,567 --> 00:09:14,367
SEE HERE.
STOP THIS AT ONCE.

212
00:09:16,901 --> 00:09:18,834
OW! THAT SMARTS!

213
00:09:18,834 --> 00:09:20,400
OUCH! OOH!

214
00:09:21,567 --> 00:09:24,634
FOR THE FINAL TIME,
GET OFF ME!

215
00:09:29,133 --> 00:09:31,400
UH-OH.

216
00:09:31,400 --> 00:09:33,868
THERE, THAT'S BETTER.

217
00:09:37,968 --> 00:09:39,200
MOMMY.

218
00:09:42,300 --> 00:09:44,234
POPPERS FALL DOWN...

219
00:09:45,200 --> 00:09:46,934
AND GO BOOM.

220
00:09:46,934 --> 00:09:51,234
HE'LL NEED
A JUMBO BAND-AID
FOR THAT ONE.

221
00:09:51,234 --> 00:09:54,634
I'LL HAVE THE LINGUINI
WITH CLAMS.

222
00:09:54,634 --> 00:09:56,667
WANT SOME BACTINE,
POPPEROO?

223
00:09:58,367 --> 00:10:00,934
I LOVE YOU, DAD-DOO.

224
00:10:00,934 --> 00:10:03,367
AND JUST THINK,
WE'LL BE TOGETHER

225
00:10:03,367 --> 00:10:05,667
FOREVER AND EVER

226
00:10:05,667 --> 00:10:09,000
AND EVER AND EVER
AND EVER.

227
00:10:09,000 --> 00:10:10,000
NO, WAIT!

228
00:10:10,000 --> 00:10:13,100
I MAY HAVE ACTED
A BIT HASTILY.

229
00:10:13,100 --> 00:10:14,601
OKEY-DOKEY, YOU WIN.

230
00:10:14,601 --> 00:10:17,100
I HEREBY RESCIND
MY PREVIOUS PROCLAMATION

231
00:10:17,100 --> 00:10:20,133
AND PROCLAIM YOU ALL
TO BE ALIVE

232
00:10:20,133 --> 00:10:21,834
WITH ALL RIGHTS
AND PRIVILEGES

233
00:10:21,834 --> 00:10:24,400
UNTIL SUCH TIME
AS I RETURN...

234
00:10:24,400 --> 00:10:27,667
WHICH WON'T BE
FOR A VERY LONG TIME.

235
00:10:27,667 --> 00:10:29,701
[MUMBLING]

236
00:10:30,834 --> 00:10:32,901
WELL, THANKS JUST THE SAME,

237
00:10:32,901 --> 00:10:36,000
BUT WE WANT TO GO
WITH YOU, DADDY.

238
00:10:36,000 --> 00:10:39,000
NO!

239
00:10:41,334 --> 00:10:43,400
HEY, YOU FORGOT THIS.

240
00:10:43,400 --> 00:10:46,300
YOU'LL CATCH
YOUR DEATH OF COLD...

241
00:10:46,300 --> 00:10:47,801
SO TO SPEAK.

242
00:10:47,801 --> 00:10:49,801
HEY, WERE
YOU GUYS SERIOUS

243
00:10:49,801 --> 00:10:51,901
ABOUT KEEPING US
ALL TOGETHER?

244
00:10:51,901 --> 00:10:54,901
THERE'S MORE TO LIFE
THAN JUST LIVING, WAKKO.

245
00:10:54,901 --> 00:10:57,834
THERE'S LOYALTY, COURAGE,
AND THE BONDS OF LOVE

246
00:10:57,834 --> 00:11:00,000
THAT BIND A FAMILY TOGETHER.

247
00:11:00,000 --> 00:11:02,767
DOT'S RIGHT.
IT'S NOT DEATH
WE SHOULD FEAR,

248
00:11:02,767 --> 00:11:04,767
BUT A LIFE POORLY LIVED

249
00:11:04,767 --> 00:11:07,267
FOR NOTHING IS WORSE
THAN SQUANDERING

250
00:11:07,267 --> 00:11:10,267
THIS MOST PRECIOUS GIFT
OF OUR CREATOR.

251
00:11:10,267 --> 00:11:15,300
SPIELBERG
EATS THIS STUFF UP.

252
00:11:16,868 --> 00:11:20,901
 AND NOW...
 DOT'S POETRY CORNER.

253
00:11:20,901 --> 00:11:22,367
AHEM.

254
00:11:22,367 --> 00:11:23,868
 LITTLE MISS MUFFET.

255
00:11:23,868 --> 00:11:26,834
LITTLE MISS MUFFET
SAT ON HER TUFFET,

256
00:11:26,834 --> 00:11:29,767
AND WHAT A BIG TUFFET
SHE HAD.

257
00:11:29,767 --> 00:11:33,467
IF YOU'RE FEELING INSECURE,
JUST STAND NEXT TO HER,

258
00:11:33,467 --> 00:11:36,901
THEN YOU WON'T FEEL
QUITE SO BAD. THANK YOU.

259
00:11:36,901 --> 00:11:38,934
 [CLAPPING]

260
00:11:40,300 --> 00:11:42,367
 THIS HAS BEEN ANOTHER VISIT

261
00:11:42,367 --> 00:11:45,934
 TO DOT'S POETRY CORNER.

262
00:12:04,801 --> 00:12:07,267
ZOOLOGIST GINA EMBRYO
SPEAKING.

263
00:12:07,267 --> 00:12:08,834
GOOD NEWS.

264
00:12:08,834 --> 00:12:12,701
I HAVE FINALLY LOCATED
THE WORLD'S VERY LAST
REMAINING PAIR

265
00:12:12,701 --> 00:12:15,100
OF ENDANGERED
 HIPPOPOTAMUS TRENDOLIUS.

266
00:12:15,100 --> 00:12:18,033
NOW I MAY BEGIN
MY LIFELONG DREAM

267
00:12:18,033 --> 00:12:20,634
TO STUDY THESE
MAGNIFICENT BEASTS,

268
00:12:20,634 --> 00:12:22,701
PRESERVE THEIR SPECIES
FROM EXTINCTION,

269
00:12:22,701 --> 00:12:26,000
AND RECORD THEIR
PRIMITIVE COMMUNICATION.

270
00:12:26,000 --> 00:12:28,000
MATCH POINT!

271
00:12:29,968 --> 00:12:31,501
THANK YOU, BIRD.

272
00:12:31,501 --> 00:12:32,701
WHATEVER.

273
00:12:45,467 --> 00:12:47,868
I HATE MY LIFE.

274
00:12:47,868 --> 00:12:49,868
GAME, SET,
AND MATCH, MOI.

275
00:12:49,868 --> 00:12:52,367
I WIN! I WIN! I WIN!

276
00:12:52,367 --> 00:12:54,868
KUDOS FOR YOUDOS, MARITA.

277
00:12:54,868 --> 00:12:56,000
[CHATTERING]

278
00:12:56,000 --> 00:12:58,167
DOMO ARIGATO,WARHOL.

279
00:12:58,167 --> 00:12:59,300
[CHATTERING]

280
00:12:59,300 --> 00:13:01,501
THIS BEAUTIFUL PAIR

281
00:13:01,501 --> 00:13:03,868
OF RARE HIPPOPOTAMI
 TRENDOLIUS

282
00:13:03,868 --> 00:13:07,534
IS HEADING TOWARD
THEIR PRIMITIVE
JUNGLE DWELLING.

283
00:13:10,534 --> 00:13:12,400
I, MY BEAUTIFUL SELF,

284
00:13:12,400 --> 00:13:16,934
GIVE THANKS FOR
BOTTLED PELEGRINGO
MINERAL WATER.

285
00:13:16,934 --> 00:13:18,300
 MOI, AUSSI.

286
00:13:18,300 --> 00:13:21,067
I WOULD HATE
TO HAVE TO RESORT

287
00:13:21,067 --> 00:13:22,334
TO DRINKING
RIVER WATER.

288
00:13:22,334 --> 00:13:23,334
PTOOIE!

289
00:13:23,334 --> 00:13:24,767
SHALL WE DO LUNCH?

290
00:13:24,767 --> 00:13:27,734
MARITA, THE EXPRESSION
"DO LUNCH"

291
00:13:27,734 --> 00:13:29,167
IS OUT.

292
00:13:29,167 --> 00:13:30,934
NOW YOU SAY "MEAL."

293
00:13:30,934 --> 00:13:33,067
"MEAL" IS A VERB NOW.

294
00:13:33,067 --> 00:13:34,934
SO, LET'S MEAL.

295
00:13:34,934 --> 00:13:36,267
OOH. AAH.

296
00:13:36,267 --> 00:13:39,300
I DETEST
BEING BEHIND ON
TRENDY SLANG.

297
00:13:39,300 --> 00:13:40,868
BOO-HOO-HOO!

298
00:13:40,868 --> 00:13:44,167
WE'RE FALLING
BEHIND, FLAVIO.

299
00:13:44,167 --> 00:13:48,100
NOT ONE SINGLE TREND
HAS STARTED
IN THIS JUNGLE.

300
00:13:48,100 --> 00:13:49,968
JUST LOOK AT
THIS NEIGHBORHOOD.

301
00:13:49,968 --> 00:13:51,601
JANET FLIPPS,
COME ON DOWN!

302
00:13:51,601 --> 00:13:52,601
[BELCH]

303
00:13:52,601 --> 00:13:53,601
I KNOW.

304
00:13:53,601 --> 00:13:57,100
I WANT TO MOVE
TO THE CITY.

305
00:13:57,100 --> 00:13:58,701
THE CITY?

306
00:13:58,701 --> 00:14:00,100
THE CITY?

307
00:14:00,100 --> 00:14:03,100
BUT THE CITY
IS FULL OF DANGER.

308
00:14:03,100 --> 00:14:05,300
AAGGH!

309
00:14:05,300 --> 00:14:07,300
YOU ARE RIGHT,
MY PRINCESS.

310
00:14:07,300 --> 00:14:10,968
WE SHOULD BE WHERE
WANNABES ARE WELCOME.

311
00:14:10,968 --> 00:14:13,701
LET'S MOVE TO THE CITY.

312
00:14:13,701 --> 00:14:15,200
MMM!

313
00:14:16,367 --> 00:14:18,501
FLAVIO, WHAT IS IT?

314
00:14:18,501 --> 00:14:20,501
JUST A LITTLE
MOVING SURPRISE

315
00:14:20,501 --> 00:14:22,067
YOUR HUBBY LOVE
ORDERED

316
00:14:22,067 --> 00:14:25,334
FROM THE SELFISH IMAGE
 CATALOG.

317
00:14:25,334 --> 00:14:28,501
OUR RICKSHAW TO RAPTURE.

318
00:14:31,133 --> 00:14:34,133
OHH! A CHOP CHOP CHOPPER!

319
00:14:34,133 --> 00:14:37,133
* WE'RE GOING
APARTMENT HUNTING **

320
00:14:41,200 --> 00:14:45,267
OH! MY HIPPOS
ARE LEAVING THE JUNGLE.

321
00:14:48,734 --> 00:14:52,267
OHHHH!

322
00:14:54,968 --> 00:14:56,734
OHHH!

323
00:14:58,934 --> 00:15:00,133
YIPE!

324
00:15:00,133 --> 00:15:01,701
OOF!

325
00:15:07,501 --> 00:15:09,501
OH, LOOK, FLAVIO.

326
00:15:09,501 --> 00:15:12,601
THE WORLD TREND CENTER.

327
00:15:14,601 --> 00:15:17,167
AND THERE'S
THE GUGGENHIP MUSEUM...

328
00:15:17,167 --> 00:15:20,901
AND THE BANANA
REPUBLICAN STORE.

329
00:15:23,067 --> 00:15:24,400
OUCH!

330
00:15:24,400 --> 00:15:26,968
I MUST PROTECT MY HIPPOS--

331
00:15:26,968 --> 00:15:27,968
OOF!

332
00:15:27,968 --> 00:15:30,400
FROM THE DANGERS
OF THE CITY

333
00:15:30,400 --> 00:15:32,968
AND RETURN THEM
TO THE JUNGLE--OW!

334
00:15:32,968 --> 00:15:34,968
DARLING, WHAT IS THAT
ANNOYING

335
00:15:34,968 --> 00:15:37,601
OOFING, OUCHING SOUND?

336
00:15:37,601 --> 00:15:40,033
THEY JUST DON'T BUILD
THOSE WHIRLYBIRDS

337
00:15:40,033 --> 00:15:42,400
LIKE THEY USED TO,
MY LOVE.

338
00:15:46,434 --> 00:15:48,334
WHEW!

339
00:15:56,467 --> 00:15:59,601
[CREAKING]

340
00:16:02,000 --> 00:16:05,067
CAREFUL. WE JUST
HAD IT DETAILED.

341
00:16:05,067 --> 00:16:08,033
SHALL WE MEAL FIRST?

342
00:16:08,033 --> 00:16:11,934
[MARITA]
NO, NO. LET'S GO FIND
A REALTOR.

343
00:16:18,234 --> 00:16:21,667
AND LET ME BORROW
YOUR JACKET.

344
00:16:27,634 --> 00:16:29,434
MAY I HELP YOU?

345
00:16:31,801 --> 00:16:33,934
WE HAVE DONE
THE JUNGLE,

346
00:16:33,934 --> 00:16:35,934
AND NOW
WE ARE LOOKING

347
00:16:35,934 --> 00:16:37,901
FOR THE PERFECT
CITY DWELLING
APARTMENT.

348
00:16:37,901 --> 00:16:40,834
SORRY, THE CITY'S ALL FULL.
NOTHING AVAILABLE.

349
00:16:40,834 --> 00:16:42,934
GO BACK TO THE JUNGLE.

350
00:16:42,934 --> 00:16:44,534
THAT'S WHERE YOU
SHOULD LIVE.

351
00:16:44,534 --> 00:16:45,634
THANK YOU.
GOODBYE.

352
00:16:45,634 --> 00:16:47,734
PLEASE, WE'LL LOOK
AT ANYTHING.

353
00:16:47,734 --> 00:16:48,734
ANYTHING?

354
00:16:48,734 --> 00:16:50,534
[HONK]

355
00:16:50,534 --> 00:16:52,934
REDECORATING
IS NO PROBLEM.

356
00:16:52,934 --> 00:16:55,367
MY FENG SHUI MASTER
DECORATOR

357
00:16:55,367 --> 00:16:57,701
WORKS MIRACLES WITH FABRICS.

358
00:16:57,701 --> 00:16:58,968
FENG SHUI?

359
00:16:58,968 --> 00:17:00,067
DON'T ASK ME.

360
00:17:00,067 --> 00:17:01,834
MAYBE THERE IS SOMETHING...

361
00:17:01,834 --> 00:17:05,567
THAT WILL SEND YOU
RUNNING BACK TO THE JUNGLE.

362
00:17:07,167 --> 00:17:09,167
THIS BUILDING FEATURES
COLD FLOORS,

363
00:17:09,167 --> 00:17:11,400
OBSTRUCTED VIEWS,
AND UNCOMFORTABLE SEATING.

364
00:17:11,400 --> 00:17:12,667
SEE? YOU HATE IT.

365
00:17:12,667 --> 00:17:14,434
I LOVE IT!

366
00:17:15,734 --> 00:17:17,234
I LOVE
RETRO INDUSTRIAL.

367
00:17:17,234 --> 00:17:18,467
[GASP]

368
00:17:18,467 --> 00:17:20,934
WHAT A WONDERFUL
DOORWAY SCULPTURE.

369
00:17:20,934 --> 00:17:24,167
UHH!

370
00:17:26,701 --> 00:17:28,200
AND FUNCTIONAL, TOO.

371
00:17:28,200 --> 00:17:31,601
OOH! THAT FEELS GOOD.

372
00:17:33,834 --> 00:17:35,033
AAH!

373
00:17:35,033 --> 00:17:38,400
ACTUALLY, MY DARLING...

374
00:17:38,400 --> 00:17:42,601
RETRO INDUSTRIAL'S
BEEN DONE TO THE GILLS.

375
00:17:45,834 --> 00:17:48,834
OH, POOH.
WHAT ELSE HAVE YOU GOT.

376
00:17:48,834 --> 00:17:50,200
OHH...

377
00:17:51,400 --> 00:17:53,400
THIS RUSTIC
FIXER-UPPER PROPERTY

378
00:17:53,400 --> 00:17:56,901
FEATURES ALL
THE AMENITIES OF
AN AUTO JUNKYARD.

379
00:17:56,901 --> 00:17:58,567
SO TELL ME HOW MUCH
YOU LOATHE IT.

380
00:17:58,567 --> 00:18:00,033
 AU CONTRAIRE.

381
00:18:00,033 --> 00:18:03,100
FASCINATING
MODULAR CONSTRUCTION.

382
00:18:03,100 --> 00:18:05,334
WHAT COLORS!

383
00:18:05,334 --> 00:18:08,133
UH! OOH! OOH!

384
00:18:10,734 --> 00:18:12,601
OHH!

385
00:18:15,767 --> 00:18:17,334
OH, POOH, FLAVIO.

386
00:18:17,334 --> 00:18:20,801
I DON'T THINK
THERE IS ROOM
FOR MY POTTERY WHEEL.

387
00:18:24,100 --> 00:18:27,033
THE LAST AVAILABLE
SPACE IN THE CITY.

388
00:18:27,033 --> 00:18:28,868
 VOILA.

389
00:18:28,868 --> 00:18:30,300
IT'S AN UNHEATED CESSPOOL

390
00:18:30,300 --> 00:18:31,801
WITH POOR VENTILATION,

391
00:18:31,801 --> 00:18:33,300
ASBESTOS FUMES, AND--

392
00:18:33,300 --> 00:18:35,467
[HONK HONK]

393
00:18:38,801 --> 00:18:40,868
HEAVY TRAFFIC FLOW.

394
00:18:40,868 --> 00:18:42,300
SO THAT'S IT.

395
00:18:42,300 --> 00:18:43,801
YOU HATE THE CITY.

396
00:18:43,801 --> 00:18:46,067
BACK TO THE JUNGLE WITH YOU.

397
00:18:46,067 --> 00:18:47,968
IT'S TRUE,
FUDGE MUFFIN.

398
00:18:47,968 --> 00:18:49,968
NOTHING HAS BEEN
AS GOOD

399
00:18:49,968 --> 00:18:52,300
AS OUR JUNGLE HOUSE.

400
00:18:52,300 --> 00:18:55,100
OH, POOH. IT'S TRUE!

401
00:18:55,100 --> 00:18:58,400
NOTHING IS AS TRENDY
AS OUR OLD HOUSE.

402
00:18:58,400 --> 00:19:02,133
BABY WANTS HER
JUNGLE HOUSE,
FLAVIO.

403
00:19:02,133 --> 00:19:05,234
THEN IT'S YOURS,
MY PERFECT.

404
00:19:05,234 --> 00:19:06,400
OHH...

405
00:19:10,834 --> 00:19:12,300
OHH.

406
00:19:12,300 --> 00:19:14,934
NOW MY STUDY MAY CONTINUE

407
00:19:14,934 --> 00:19:17,167
IN THE SAFETY
OF THE JUNGLE.

408
00:19:17,167 --> 00:19:19,667
THIS IS THE PERFECT
HOUSE, FLAVIO.

409
00:19:19,667 --> 00:19:22,434
I FEEL SO AT HOME HERE.

410
00:19:24,100 --> 00:19:25,534
[CHATTERING]

411
00:19:25,534 --> 00:19:27,968
ANCHORS AWAY.

412
00:19:31,601 --> 00:19:32,634
[GASP]

413
00:19:36,300 --> 00:19:38,501
NO! COME BACK!

414
00:19:38,501 --> 00:19:39,534
COME BACK!

415
00:19:47,901 --> 00:19:49,133
OVER THERE!

416
00:19:49,133 --> 00:19:51,801
THAT BUILDING
LOOKS BEAUTIFUL.

417
00:19:51,801 --> 00:19:53,734
AND IT'S GEOGRAPHICALLY
CORRECT.

418
00:19:53,734 --> 00:19:56,734
I DO SO LOVE
TO SEE YOU HAPPY,

419
00:19:56,734 --> 00:19:58,067
 MON AMOUR.

420
00:19:58,067 --> 00:20:00,300
MMM!

421
00:20:05,300 --> 00:20:08,234
AAH!

422
00:20:12,400 --> 00:20:13,801
HOME.

423
00:20:13,801 --> 00:20:14,934
HOME.

424
00:20:14,934 --> 00:20:16,033
HELP.

425
00:20:21,100 --> 00:20:23,167
* THE JUNGLE WAS NICE 

426
00:20:23,167 --> 00:20:25,234
* BUT WAY BEHIND
THE TIMES *

427
00:20:25,234 --> 00:20:27,334
* FOR TWO
ENDANGERED HIPPOS *

428
00:20:27,334 --> 00:20:29,100
* WITH HIP
AND TRENDY MINDS *

429
00:20:29,100 --> 00:20:31,033
* SO THEY FLEW
THEIR RANCH ROOVER *

430
00:20:31,033 --> 00:20:33,167
* TO THE CITY'S
NEON GLOW *

431
00:20:33,167 --> 00:20:35,267
* FLAVIO AND MARITA 

432
00:20:35,267 --> 00:20:42,033
* THE HIP HIPPOS *

433
00:21:02,567 --> 00:21:05,434
CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING
INSTITUTE, INC.

434
00:21:05,434 --> 00:21:06,434
CIAO-A-BUNGA!

435
00:21:06,434 --> 00:21:08,968
CAPTIONS COPYRIGHT 1993
WARNER BROS. ANIMATION,

436
00:21:08,968 --> 00:21:10,934
A DIVISION OF TIME-WARNER
ENTERTAINMENT CO., L.P.

437
00:21:10,934 --> 00:21:13,100
PUBLIC PERFORMANCE OF CAPTIONS
PROHIBITED WITHOUT PERMISSION OF
NATIONAL CAPTIONING INSTITUTE