1
00:00:09,567 --> 00:00:11,200
[NARRATOR]
 DATELINE--HOLLYWOOD. 1930.

2
00:00:11,200 --> 00:00:13,200
 THE WARNER BROTHERS STUDIO.

3
00:00:13,200 --> 00:00:15,601
 HERE AT THE STUDIO'S
 ANIMATION DEPARTMENT,

4
00:00:15,601 --> 00:00:17,133
 THE ARTISTS
 TOILED ENDLESSLY

5
00:00:17,133 --> 00:00:18,834
 TO COME UP
 WITH CARTOON STARS

6
00:00:18,834 --> 00:00:21,300
 ULTIMATELY CREATING
 THREE NEW CHARACTERS--

7
00:00:21,300 --> 00:00:24,167
 THE WARNER BROTHERS
 AND THEIR SISTER DOT.

8
00:00:24,167 --> 00:00:26,901
HELLO, NURSE!
HELLO, NURSE!
HELLO, NURSE!

9
00:00:26,901 --> 00:00:28,467
 UNFORTUNATELY,
 THE WARNER KIDS

10
00:00:28,467 --> 00:00:30,300
 WERE TOTALLY
 OUT OF CONTROL.

11
00:00:30,300 --> 00:00:31,801
BOINGY!
BOINGY!
BOINGY!

12
00:00:31,801 --> 00:00:33,467
BOINGY!
BOINGY!
BOINGY!

13
00:00:33,467 --> 00:00:37,767
 THE TRIO RAN AMUCK
 THROUGHOUT THE STUDIO

14
00:00:37,767 --> 00:00:39,601
 UNTIL THEIR CAPTURE.

15
00:00:39,601 --> 00:00:43,167
 THE WARNERS' FILMS, WHICH
 MADE ABSOLUTELY NO SENSE,

16
00:00:43,167 --> 00:00:47,000
 WERE LOCKED AWAY,
 NEVER TO BE RELEASED.

17
00:00:47,000 --> 00:00:48,801
 AS FOR THE WARNERS
 THEMSELVES,

18
00:00:48,801 --> 00:00:52,467
 THEY WERE LOCKED AWAY
 IN THE STUDIO WATER TOWER,

19
00:00:52,467 --> 00:00:54,334
 ALSO NEVER
 TO BE RELEASED.

20
00:00:54,334 --> 00:00:57,334
 PUBLICLY THE STUDIO
 HAS DISAVOWED ANY KNOWLEDGE

21
00:00:57,334 --> 00:01:00,067
 OF THE WARNERS' EXISTENCE
 TO THIS VERY DAY

22
00:01:00,067 --> 00:01:02,133
 WHEN THE WARNERS ESCAPED.

23
00:01:06,200 --> 00:01:09,968
* IT'S TIME FOR ANIMANIACS *

24
00:01:09,968 --> 00:01:12,534
* AND WE'RE ZANY
TO THE MAX *

25
00:01:12,534 --> 00:01:14,167
* SO JUST SIT BACK
AND RELAX *

26
00:01:14,167 --> 00:01:16,000
* YOU'LL LAUGH
TILL YOU COLLAPSE *

27
00:01:16,000 --> 00:01:18,367
* WE'RE ANIMANIACS *

28
00:01:18,367 --> 00:01:20,167
* COME JOIN
THE WARNER BROTHERS *

29
00:01:20,167 --> 00:01:21,501
* AND THE WARNER
SISTER DOT *

30
00:01:21,501 --> 00:01:23,033
* JUST FOR FUN
WE RUN AROUND *

31
00:01:23,033 --> 00:01:24,801
* THE WARNER MOVIE LOT 

32
00:01:24,801 --> 00:01:25,901
* THEY LOCK US
IN THE TOWER *

33
00:01:25,901 --> 00:01:27,467
* WHENEVER WE GET CAUGHT 

34
00:01:27,467 --> 00:01:28,968
* BUT WE BREAK LOOSE
AND THEN VAMOOSE *

35
00:01:28,968 --> 00:01:30,367
* AND NOW YOU KNOW
THE PLOT *

36
00:01:30,367 --> 00:01:32,701
* WE'RE ANIMANIACS *

37
00:01:32,701 --> 00:01:33,767
* DOT IS CUTE 

38
00:01:33,767 --> 00:01:35,834
* AND YAKKO YAKS 

39
00:01:35,834 --> 00:01:37,200
* WAKKO PACKS AWAY
THE SNACKS *

40
00:01:37,200 --> 00:01:39,100
* WHILE BILL CLINTON
PLAYS THE SAX *

41
00:01:39,100 --> 00:01:42,033
* WE'RE ANIMANIACS *

42
00:01:42,033 --> 00:01:43,167
* MEET PINKY AND THE BRAIN 

43
00:01:43,167 --> 00:01:44,801
* WHO WANT TO RULE
THE UNIVERSE *

44
00:01:44,801 --> 00:01:46,033
* GOODFEATHERS
FLOCK TOGETHER *

45
00:01:46,033 --> 00:01:47,667
* SLAPPY WHACKS 'EM
WITH HER PURSE *

46
00:01:47,667 --> 00:01:49,133
* BUTTONS CHASES MINDY 

47
00:01:49,133 --> 00:01:50,567
* WHILE RITA SINGS A VERSE 

48
00:01:50,567 --> 00:01:52,200
* THE WRITERS FLIPPED,
WE HAVE NO SCRIPT *

49
00:01:52,200 --> 00:01:53,601
* WHY BOTHER TO REHEARSE? 

50
00:01:53,601 --> 00:01:55,901
* WE'RE ANIMANIACS *

51
00:01:55,901 --> 00:01:59,167
* WE HAVE PAY-OR-PLAY
CONTRACTS *

52
00:01:59,167 --> 00:02:00,601
* WE'RE ZANY TO THE MAX *

53
00:02:00,601 --> 00:02:02,234
* THERE'S BALONEY
IN OUR SLACKS *

54
00:02:02,234 --> 00:02:03,634
* WE'RE ANIMANEE *

55
00:02:03,634 --> 00:02:05,334
* TOTALLY INSANE-Y 

56
00:02:05,334 --> 00:02:06,634
* HERE'S THE SHOW'S
NAMEY *

57
00:02:06,634 --> 00:02:08,868
* ANIMANIACS 

58
00:02:08,868 --> 00:02:10,400
* THOSE ARE THE FACTS *

59
00:02:14,267 --> 00:02:17,334
CAPTIONING MADE POSSIBLE BY
U.S. DEPARTMENT OF EDUCATION
AND FOX BROADCASTING COMPANY

60
00:02:17,334 --> 00:02:18,934
[WATER FLUSHES]

61
00:02:44,400 --> 00:02:46,634
THE WARNERS HAVE ESCAPED!

62
00:02:46,634 --> 00:02:47,667
CATCH THEM!

63
00:02:47,667 --> 00:02:49,100
* LALLY-DALLY-LOO 

64
00:02:49,100 --> 00:02:50,434
* LALLY-DALLY-LEE 

65
00:02:50,434 --> 00:02:51,501
* YOU CAN'T CATCH US *

66
00:02:51,501 --> 00:02:53,601
* WE'RE THE WARNERS THREE **

67
00:03:13,734 --> 00:03:16,000
SHUSH.

68
00:03:17,367 --> 00:03:18,834
TAG.
YOU'RE IT.

69
00:03:23,968 --> 00:03:25,667
[RASPBERRY]

70
00:03:25,667 --> 00:03:27,701
I-I CAUGHT 'EM, DOC.

71
00:03:27,701 --> 00:03:29,467
I-I GOT 'EM.

72
00:03:29,467 --> 00:03:30,968
GOOD FOR YOU.

73
00:03:30,968 --> 00:03:32,534
GOOD FOR ME.

74
00:03:32,534 --> 00:03:35,000
YOU GOT ME,
 YOU BIG
 DUMMY!

75
00:03:37,934 --> 00:03:40,167
UM...THERE
THEY ARE.

76
00:03:45,434 --> 00:03:46,734
GET THEM!

77
00:03:49,801 --> 00:03:51,934
RALPH, YOU TAKE
THE BACK.

78
00:03:51,934 --> 00:03:53,367
MISS NURSE, YOU TAKE--

79
00:03:53,367 --> 00:03:54,868
MY BREATH AWAY.

80
00:03:54,868 --> 00:03:56,501
YOU TAKE THE SIDE.

81
00:03:56,501 --> 00:03:59,234
I'LL GO IN THE FRONT.

82
00:04:08,501 --> 00:04:09,901
OHHH!

83
00:04:23,634 --> 00:04:26,300
GOODBYE, NURSE!

84
00:04:28,033 --> 00:04:29,334
I-I...

85
00:04:29,334 --> 00:04:30,567
GOTCHA!

86
00:04:30,567 --> 00:04:32,000
UH...NOT.

87
00:04:39,501 --> 00:04:42,534
WE'LL HIDE HERE
UNTIL THE COAST IS CLEAR.

88
00:04:44,100 --> 00:04:46,400
[APPLAUSE]

89
00:04:49,968 --> 00:04:52,667
OOH, A MAGIC SHOW.
THIS OUGHT TO BE FUN.

90
00:04:54,634 --> 00:04:57,267
FRANZ SHUBERT
INTENDED THIS SCHERZO

91
00:04:57,267 --> 00:04:58,834
TO REFLECT THE STRUGGLE

92
00:04:58,834 --> 00:05:01,400
BETWEEN INTELLECT
AND THE CREATIVE PROCESS.

93
00:05:01,400 --> 00:05:02,934
AHH.

94
00:05:02,934 --> 00:05:05,267
I DON'T THINK
HE'S A MAGICIAN.

95
00:05:05,267 --> 00:05:07,267
THIS IS JUST
A SETUP.

96
00:05:07,267 --> 00:05:10,200
MISTER, PULL A RABBIT
OUT OF YOUR PANTS.

97
00:05:10,200 --> 00:05:11,267
SHH!
SHH!

98
00:05:11,267 --> 00:05:13,133
WHAT ARE YOU,
LEAKY TIRES?

99
00:05:13,133 --> 00:05:14,067
HOWEVER,

100
00:05:14,067 --> 00:05:16,067
SHUBERT WAS SIMPLY
INCAPABLE

101
00:05:16,067 --> 00:05:18,767
OF EXPRESSING SUCH
A DELICATE NUANCE.

102
00:05:18,767 --> 00:05:20,767
BUT, THANKS TO MY GENIUS,

103
00:05:20,767 --> 00:05:23,200
I WILL PERFORM
THIS GREAT WORK,

104
00:05:23,200 --> 00:05:25,734
NOT AS THE COMPOSER
WROTE IT,

105
00:05:25,734 --> 00:05:27,167
BUT AS HE INTENDED.

106
00:05:27,167 --> 00:05:31,701
SHUBERT'S INTERMEZZO
ANDANTE ALLEGRO OPUS 9.

107
00:05:38,534 --> 00:05:39,834
*

108
00:05:39,834 --> 00:05:41,834
WE'RE OUTTA HERE.

109
00:05:41,834 --> 00:05:43,267
EXCUSE US.
COMING THROUGH.

110
00:05:43,267 --> 00:05:44,767
MAKE WAY.
PARDON US.

111
00:05:44,767 --> 00:05:47,100
GANGWAY.
GOTTA GO.
COMING THROUGH.

112
00:05:48,434 --> 00:05:49,534
UH-OH.

113
00:05:51,267 --> 00:05:52,868
HIT REVERSE, SIBS.

114
00:05:54,701 --> 00:05:56,200
SU NODRAP.
YAW EKAM.

115
00:05:56,200 --> 00:05:57,701
HGUORTH GNIMOC.
SU ESUCXE.

116
00:05:57,701 --> 00:05:59,968
YAWGMAG.
OG ATTOG.

117
00:06:01,701 --> 00:06:04,400
[SHOES SQUEAK]

118
00:06:07,868 --> 00:06:09,801
THE CONCERT HAS BEGUN.

119
00:06:09,801 --> 00:06:11,501
TAKE YOUR SEATS!

120
00:06:14,534 --> 00:06:17,467
YOUR MOTHER
USED PAMPERS.

121
00:06:17,467 --> 00:06:19,200
ONCE AGAIN,

122
00:06:19,200 --> 00:06:21,033
THE SHUBERT.

123
00:06:21,033 --> 00:06:22,234
[CRACKING]

124
00:06:25,000 --> 00:06:26,601
[CRUNCHING]

125
00:06:28,367 --> 00:06:29,434
CARAMEL CORN?

126
00:06:29,434 --> 00:06:31,300
DON'T MIND
IF I DO.

127
00:06:31,300 --> 00:06:32,367
TAFFY?

128
00:06:32,367 --> 00:06:33,334
'KAY.

129
00:06:40,734 --> 00:06:42,033
ALL OF IT.

130
00:06:59,968 --> 00:07:01,701
AAH!

131
00:07:12,267 --> 00:07:15,300
DISGUSTING!

132
00:07:19,234 --> 00:07:21,534
THE SHUBERT.

133
00:07:22,100 --> 00:07:23,634
[BLOWING]

134
00:07:47,968 --> 00:07:49,300
NOW, THAT'S ENTERTAINMENT.

135
00:08:05,067 --> 00:08:06,601
[APPLAUSE]

136
00:08:11,634 --> 00:08:13,534
VERY PETE TOWNSEND-ESQUE.

137
00:08:13,534 --> 00:08:14,534
WHO?

138
00:08:14,534 --> 00:08:15,734
EXACTLY.

139
00:08:15,734 --> 00:08:17,968
OOH!
OOH!
OOH!

140
00:08:17,968 --> 00:08:18,968
YES, WELL...

141
00:08:18,968 --> 00:08:20,400
FOR MY NEXT NUMBER,

142
00:08:20,400 --> 00:08:21,968
LUDWIG VON PLOTZBURGER'S

143
00:08:21,968 --> 00:08:24,701
MOST COMPELLING
MUSICAL ACCOMPLISHMENT.

144
00:08:24,701 --> 00:08:26,067
REGRETFULLY,

145
00:08:26,067 --> 00:08:29,067
ONLY A SOPHISTICATED EAR
AS MINE OWN

146
00:08:29,067 --> 00:08:31,133
CAN FULLY
APPRECIATE THE DEPTH

147
00:08:31,133 --> 00:08:32,868
OF THIS MASTERPIECE.

148
00:08:34,968 --> 00:08:37,701
COMPLETE AND ABSOLUTE
CONCENTRATION

149
00:08:37,701 --> 00:08:38,801
IS REQUIRED.

150
00:08:38,801 --> 00:08:42,100
VON PLOTZBURGER'S
PAVAN AND DIRGE

151
00:08:42,100 --> 00:08:43,367
IN C-MINOR,

152
00:08:43,367 --> 00:08:45,767
 OPUS 7 AND ELEVEN.

153
00:09:31,501 --> 00:09:33,434
[SNORING]

154
00:09:36,400 --> 00:09:38,000
**
**
**

155
00:09:39,100 --> 00:09:40,100
BRAVO!

156
00:09:40,100 --> 00:09:41,100
BRAVO!

157
00:09:41,100 --> 00:09:41,968
BRAVO!

158
00:09:41,968 --> 00:09:43,467
BRAVO!
BRAVO!
BRAVO!

159
00:09:43,467 --> 00:09:44,634
ENCORE!
ENCORE!

160
00:09:44,634 --> 00:09:45,968
[WHISTLES]

161
00:09:50,067 --> 00:09:52,901
AH, SO THERE YOU IS.

162
00:10:31,767 --> 00:10:34,734
I-I CAUGHT 'EM NOW, DOC.

163
00:10:37,567 --> 00:10:39,133
GOOD JOB, RALPHIE.

164
00:10:39,133 --> 00:10:40,501
LET'S HAVE A LOOK.

165
00:10:40,501 --> 00:10:42,367
 VAS IS DAS?

166
00:10:43,734 --> 00:10:45,601
OHHH!

167
00:10:45,601 --> 00:10:46,601
BUT...

168
00:10:46,601 --> 00:10:48,767
WHERE ARE ZE
WARNER BROTHERS?

169
00:10:51,100 --> 00:10:52,300
* 'TWAS A GUY
NAMED JOE *

170
00:10:52,300 --> 00:10:53,934
* FROM KOKOMO 

171
00:10:53,934 --> 00:10:55,667
* PLAYIN' THAT
PIANO RAG *

172
00:10:55,667 --> 00:10:56,667
WHEE!

173
00:10:56,667 --> 00:10:57,601
* HE BANGED THE KEYS 

174
00:10:57,601 --> 00:10:59,234
* WITH HIS HEAD
AND HIS KNEES *

175
00:10:59,234 --> 00:11:01,334
* PLAYIN' THAT
PIANO RAG *

176
00:11:01,334 --> 00:11:02,934
* HE TWIDDLED
WITH THIS TOES *

177
00:11:02,934 --> 00:11:04,467
* AND HE DIDDLED
WITH HIS NOSE *

178
00:11:04,467 --> 00:11:06,868
* PLAYIN' THAT
PIANO RAG *

179
00:11:06,868 --> 00:11:08,300
* AND WHEN THE DAY
WAS DONE *

180
00:11:08,300 --> 00:11:09,734
* HE HAD SOME FUN 

181
00:11:09,734 --> 00:11:12,501
* PLAYIN' THAT
PIANO RAG *

182
00:11:15,067 --> 00:11:23,767
* HE WAS PLAYIN'
THAT PIANO RAG **

183
00:11:30,000 --> 00:11:31,300
[THUNDER]

184
00:11:44,934 --> 00:11:46,100
THANK YOU.

185
00:11:46,100 --> 00:11:47,634
KEEP THE CHANGE.

186
00:12:02,868 --> 00:12:04,300
EXCUSE ME.

187
00:12:04,300 --> 00:12:05,801
I HAVE TO, UH...

188
00:12:05,801 --> 00:12:08,234
GIVE, UH...
RETURN, UH...

189
00:12:08,234 --> 00:12:09,734
SPIT IT OUT, SISTER.

190
00:12:09,734 --> 00:12:11,801
TAKE THIS CAT!

191
00:12:11,801 --> 00:12:13,801
IT'S JUST NOT
WORKING OUT.

192
00:12:13,801 --> 00:12:16,801
I THOUGHT I'D LIKE
HAVING A CAT.

193
00:12:16,801 --> 00:12:19,300
I THOUGHT SHE'D BE
GOOD COMPANY.

194
00:12:19,300 --> 00:12:23,100
I JUST WENT THROUGH
A HORRIBLE BREAKUP.

195
00:12:23,100 --> 00:12:24,734
[SNIFFS]

196
00:12:24,734 --> 00:12:26,601
EEEUWW, MAN.

197
00:12:26,601 --> 00:12:30,167
IT'S JUST...
SHE'S SO INDEPENDENT.

198
00:12:30,167 --> 00:12:33,000
SHE'D JUST SIT
AND STARE AT ME

199
00:12:33,000 --> 00:12:35,701
LIKE SHE'S BETTER
THAN ME OR SOMETHING.

200
00:12:39,534 --> 00:12:40,834
YOU UNDERSTAND.

201
00:12:40,834 --> 00:12:43,767
I WANT A PET WHO'LL
COME WHEN I CALL,

202
00:12:43,767 --> 00:12:46,100
CUDDLE ME
AFTER A BAD DAY.

203
00:12:46,100 --> 00:12:47,634
HAVE A KID, LADY.

204
00:12:50,801 --> 00:12:52,767
 AAH!

205
00:12:52,767 --> 00:12:54,067
 OHH...

206
00:12:54,067 --> 00:12:55,267
WOOF! WOOF!

207
00:12:55,267 --> 00:12:56,367
SLOW DOWN.

208
00:12:56,367 --> 00:12:59,167
SLOW DOWN,
WILL YOU?

209
00:13:00,267 --> 00:13:01,667
RUFF!

210
00:13:01,667 --> 00:13:05,400
I SPENT 700 BUCKS TRYING
TO POTTY-TRAIN THIS DOG,

211
00:13:05,400 --> 00:13:08,300
AND HE STILL WON'T
GO ON THE PAPER.

212
00:13:08,300 --> 00:13:10,767
MY KID REALLY
WANTED A DOG,

213
00:13:10,767 --> 00:13:14,567
BUT THIS THING'S
EATEN EVERY PAIR
OF SHOES I OWN.

214
00:13:14,567 --> 00:13:16,067
HE COMPLETELY
DESTROYED

215
00:13:16,067 --> 00:13:18,267
A $4,000 PURE TEAK
TIMBERKIDS PLAY SET.

216
00:13:18,267 --> 00:13:20,400
HE CHEWED IT
TO BITS.

217
00:13:20,400 --> 00:13:22,167
OH, I HATE DOGS.

218
00:13:28,767 --> 00:13:31,234
GOSH, WHAT A NICE GUY.

219
00:13:31,234 --> 00:13:32,801
[SNIFFING]

220
00:13:35,801 --> 00:13:38,133
WHO'S THERE?

221
00:13:38,133 --> 00:13:39,267
WHERE?

222
00:13:39,267 --> 00:13:42,234
ALL RIGHT, BUB,
WHO ARE YOU?

223
00:13:42,234 --> 00:13:45,767
MY NAME'S RUNT,
BUT MY MASTER
CALLS ME STUPID.

224
00:13:45,767 --> 00:13:47,567
WHAT A NICE GUY.

225
00:13:47,567 --> 00:13:49,167
WHO ARE YOU?

226
00:13:49,167 --> 00:13:50,267
NAME'S RITA.

227
00:13:50,267 --> 00:13:52,067
FIRST TIME
IN THE JOINT?

228
00:13:52,067 --> 00:13:53,434
YUP.

229
00:13:53,434 --> 00:13:55,467
WHAT ARE YOU
IN FOR?

230
00:13:55,467 --> 00:13:57,567
WETTING ON THE CARPET.
YOU?

231
00:13:57,567 --> 00:13:59,067
SAME AS ALWAYS--

232
00:13:59,067 --> 00:14:02,000
BEING TOO HIP
FOR THE ROOM.

233
00:14:02,000 --> 00:14:03,434
OH.

234
00:14:19,334 --> 00:14:21,267
[SNORING]

235
00:14:24,734 --> 00:14:27,734
OH, HERE COMES
A TICKET TO FREEDOM.

236
00:14:27,734 --> 00:14:29,767
MAKE WITH
THE SAD EYES.

237
00:14:33,300 --> 00:14:36,767
I'M LOOKING
FOR SOMETHING CUTE,

238
00:14:36,767 --> 00:14:38,901
SOMETHING
INDEPENDENT.

239
00:14:42,000 --> 00:14:43,667
OH, THAT'S IT!

240
00:14:43,667 --> 00:14:46,734
OH, IT'S ADORABLE!

241
00:14:50,467 --> 00:14:51,601
OH!

242
00:14:51,601 --> 00:14:52,934
[COUGH]

243
00:14:52,934 --> 00:14:54,267
OH.

244
00:14:54,267 --> 00:14:56,534
COME TO MAMA.

245
00:15:02,701 --> 00:15:05,267
HUMANS. GO FIG.

246
00:15:05,267 --> 00:15:06,701
YEAH, AIN'T THEY GREAT?

247
00:15:06,701 --> 00:15:09,200
WHO ELSE WOULD
ADOPT A RAT?

248
00:15:09,200 --> 00:15:11,200
[DOOR SHUTS]

249
00:15:13,400 --> 00:15:15,601
WHAT DIFFERENCE
DOES IT MAKE?

250
00:15:15,601 --> 00:15:18,300
SOON WE'LL BE SLEEPING
THE BIG SLEEP.

251
00:15:18,300 --> 00:15:20,567
I COULD USE A NAP.

252
00:15:20,567 --> 00:15:22,267
THEY'RE GOING
TO GAS US!

253
00:15:22,267 --> 00:15:24,000
WE'LL BE DEAD.

254
00:15:24,000 --> 00:15:26,934
I DON'T THINK
I'M THAT TIRED.

255
00:15:26,934 --> 00:15:29,400
YOU'RE NOT A VERY
SMART CAT, HUH?

256
00:15:31,234 --> 00:15:32,434
NOPE.

257
00:15:32,434 --> 00:15:34,701
WELL, AT LEAST
YOU'RE HONEST.

258
00:15:36,133 --> 00:15:37,334
[YAWN]

259
00:15:37,334 --> 00:15:40,200
WHAT'S A HUMAN
GOOD FOR, ANYWAY?

260
00:15:43,968 --> 00:15:45,767
THEY PET YOU
WHEN YOU'RE SAD.

261
00:15:45,767 --> 00:15:47,734
THEY SMACK YOU
WHEN YOU'RE BAD.

262
00:15:47,734 --> 00:15:49,467
WHEN YOU'RE HUNGRY,
THEY DEFINITELY
FEED YOU.

263
00:15:49,467 --> 00:15:51,534
YEAH, ON VACATIONS
THEY LEAVE YOU

264
00:15:51,534 --> 00:15:54,067
WITH HARDLY
NO FOOD.

265
00:15:54,067 --> 00:15:55,567
RING A BELL, DUDE?

266
00:15:55,567 --> 00:15:56,567
[WHIMPERS]

267
00:15:56,567 --> 00:15:58,334
EXACTLY MY POINT.

268
00:15:58,334 --> 00:16:02,100
* HUMANS AIN'T
WHAT THEY SEEM TO BE *

269
00:16:02,100 --> 00:16:05,601
* THEY DON'T MEAN
THAT MUCH TO ME *

270
00:16:05,601 --> 00:16:08,834
* NO, NOT MUCH AT ALL 

271
00:16:11,667 --> 00:16:13,467
* WHEN YOU'RE
LITTLE AND TINY *

272
00:16:13,467 --> 00:16:15,501
* THEY PET
YOUR CUTE HEINIE *

273
00:16:17,334 --> 00:16:19,234
* BUT THEN
WHEN YOU GROW *

274
00:16:19,234 --> 00:16:21,367
IT'S A SIMPLE NO-SHOW *

275
00:16:21,367 --> 00:16:23,200
* IT'S SHOO-SHOO
OFF THIS *

276
00:16:23,200 --> 00:16:25,167
* AND DON'T YOU DARE
SCRATCH ON THAT *

277
00:16:25,167 --> 00:16:27,300
* IF THEY CALL YOU
AT ALL *

278
00:16:27,300 --> 00:16:30,300
* IT'S ALWAYS
"DUMB CAT" *

279
00:16:30,300 --> 00:16:34,167
* HUMANS AIN'T
WHAT THEY SEEM TO BE *

280
00:16:34,167 --> 00:16:37,467
* THEY DON'T MEAN
THAT MUCH TO ME *

281
00:16:37,467 --> 00:16:40,801
* NO, NOT MUCH AT ALL 

282
00:16:40,801 --> 00:16:43,434
* BUT WHEN IT'S
ALL DARK AND QUIET *

283
00:16:43,434 --> 00:16:46,100
* I TRY HARD
TO FIGHT IT *

284
00:16:46,100 --> 00:16:48,367
* BUT I DREAM OF HOME 

285
00:16:48,367 --> 00:16:51,267
* THEN I WON'T
HAVE TO ROAM *

286
00:16:52,634 --> 00:16:56,701
* SOMEONE TO FEED ME
AND PUT ME TO BED *

287
00:16:56,701 --> 00:16:58,734
* AND SCRATCH ME
JUST SO *

288
00:16:58,734 --> 00:17:01,000
* ON TOP OF MY HEAD 

289
00:17:02,667 --> 00:17:03,934
* BUT I AIN'T
GONNA LOVE 'EM *

290
00:17:03,934 --> 00:17:06,567
* NOT GONNA
ANSWER THAT CALL *

291
00:17:06,567 --> 00:17:10,501
* 'CAUSE HUMANS DON'T MEAN
THAT MUCH TO ME *

292
00:17:10,501 --> 00:17:12,601
* NO 

293
00:17:12,601 --> 00:17:21,234
* NOT MUCH AT ALL *

294
00:17:24,534 --> 00:17:25,901
[SIGH]

295
00:17:28,067 --> 00:17:29,367
WHO KNEW?

296
00:17:30,567 --> 00:17:31,868
HEY, UH...

297
00:17:31,868 --> 00:17:34,734
IT'S BEEN NICE MAKING
YOUR ACQUAINTANCE.

298
00:17:34,734 --> 00:17:36,300
IF I MADE IT,

299
00:17:36,300 --> 00:17:39,000
I'M GLAD IT WAS NICE.

300
00:17:39,000 --> 00:17:42,133
UH, HEY, IF YOU
EVER NEED ANYTHING,

301
00:17:42,133 --> 00:17:43,367
JUST WHISTLE.

302
00:17:49,968 --> 00:17:52,000
[WHISTLING
 POP GOES THE WEASEL]

303
00:17:53,167 --> 00:17:55,734
ME AND MY OVERUSED CLICHES.

304
00:17:58,601 --> 00:18:00,234
LET'S ASSUME
THE APPARENT.

305
00:18:00,234 --> 00:18:02,834
YOU WANT ME
TO BUST YOU OUT.

306
00:18:02,834 --> 00:18:05,701
IF I DON'T,
IT'LL PLAY
ON MY CONSCIENCE

307
00:18:05,701 --> 00:18:07,767
LIKE AN OUT-OF-TUNE
ACCORDION.

308
00:18:07,767 --> 00:18:10,767
ONCE I SPRING YOU,
YOU'RE ON YOUR OWN.

309
00:18:10,767 --> 00:18:13,701
I DON'T KNOW YOU.
YOU DON'T KNOW ME.

310
00:18:13,701 --> 00:18:15,100
WOOF!

311
00:18:17,701 --> 00:18:19,767
WOOF?

312
00:18:19,767 --> 00:18:22,267
YOU'RE A DOG!

313
00:18:22,267 --> 00:18:23,968
SO ARE YOU.

314
00:18:23,968 --> 00:18:25,901
YOU'RE
A GOOD DOG, RITA,

315
00:18:25,901 --> 00:18:27,400
A REALLY GOOD DOG.

316
00:18:27,400 --> 00:18:29,567
I AM A CAT.

317
00:18:29,567 --> 00:18:30,701
A CAT?

318
00:18:30,701 --> 00:18:31,934
A CAT?

319
00:18:31,934 --> 00:18:33,434
WHERE?
WHERE'S A CAT?

320
00:18:33,434 --> 00:18:34,934
WHERE'S
THE FURRY FELINE?

321
00:18:34,934 --> 00:18:36,868
I'LL CHOMP IT
TO BITS.

322
00:18:36,868 --> 00:18:38,467
GRRR!

323
00:18:38,467 --> 00:18:40,300
GRRR!

324
00:18:40,300 --> 00:18:42,234
AW, NEVER MIND.
LET'S AMSCRAY.

325
00:18:42,234 --> 00:18:44,467
BREAK IT UP.

326
00:18:44,467 --> 00:18:46,334
TROUBLEMAKERS, HUH?

327
00:18:46,334 --> 00:18:49,234
LOOKS LIKE I'LL HAVE
TO SEPARATE YOU TWO.

328
00:18:49,234 --> 00:18:51,000
GRRR...WOOF!

329
00:18:58,567 --> 00:19:01,734
I HATE GOVERNMENT JOBS.

330
00:19:03,000 --> 00:19:05,734
HEY, LASSIE!

331
00:19:05,734 --> 00:19:07,234
YOU CAN STOP NOW.

332
00:19:09,300 --> 00:19:10,868
HEEL, BOY!

333
00:19:10,868 --> 00:19:12,601
[THWACK]

334
00:19:13,400 --> 00:19:15,133
[SIGH]

335
00:19:15,133 --> 00:19:16,667
DOGS.

336
00:19:17,834 --> 00:19:20,334
THAT WAS A PRETTY
CHIVALROUS THING

337
00:19:20,334 --> 00:19:22,667
YOU DID BACK THERE.

338
00:19:22,667 --> 00:19:23,934
REALLY?

339
00:19:23,934 --> 00:19:25,501
GEE, I'M SORRY.

340
00:19:25,501 --> 00:19:27,000
WHAT DO YOU SAY

341
00:19:27,000 --> 00:19:30,000
WE PAL AROUND
TOGETHER
FOR A WHILE

342
00:19:30,000 --> 00:19:32,000
TILL WE FIND
A HOME?

343
00:19:32,000 --> 00:19:33,501
THAT WOULD BE TERRIFIC.

344
00:19:33,501 --> 00:19:35,767
BUT WHEN WE EACH
FIND HOMES...

345
00:19:35,767 --> 00:19:38,701
I DON'T KNOW YOU.
YOU DON'T KNOW ME.

346
00:19:38,701 --> 00:19:39,934
DEAL?

347
00:19:39,934 --> 00:19:41,901
I DON'T HAVE
ANY CARDS.

348
00:19:43,701 --> 00:19:46,334
HIT THE ROAD,
EINSTEIN.

349
00:19:47,901 --> 00:19:50,667
HEY, RITA, LOOK
AT ALL THE TREES!

350
00:19:50,667 --> 00:19:54,234
WHAT HAVE I STARTED?

351
00:19:54,234 --> 00:19:57,167
DO OTHER DOGS KNOW
ALL ABOUT THESE TREES?

352
00:19:57,167 --> 00:19:58,734
THIS IS INCREDIBLE.

353
00:19:58,734 --> 00:20:00,100
SMELL THIS ONE, RITA.

354
00:20:00,100 --> 00:20:02,234
THIS ONE SMELLS
LIKE CHEESE.

355
00:20:02,234 --> 00:20:06,934
DEFINITELY
A CHEESE TREE.

356
00:20:34,067 --> 00:20:39,200
CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING
INSTITUTE, INC.

357
00:20:39,200 --> 00:20:42,000
CAPTIONS COPYRIGHT 1993
WARNER BROS. ANIMATION,
A DIVISION OF TIME-WARNER
ENTERTAINMENT CO., L.P.

358
00:21:00,901 --> 00:21:03,868
PUBLIC PERFORMANCE OF CAPTIONS
PROHIBITED WITHOUT PERMISSION OF
NATIONAL CAPTIONING INSTITUTE

359
00:21:03,868 --> 00:21:06,334
GOODBYE, NURSE!
GOODBYE,
NURSE!
GOODBYE, NURSE!