1 00:00:15,248 --> 00:00:22,211 [From Guinea Pig: The Devil's Experiment] 2 00:00:31,431 --> 00:00:42,399 [From Guinea Pig 2: Flower of Flesh and Blood] 3 00:01:06,232 --> 00:01:16,699 [From Guinea Pig 3: Shocking Immortal Man] 4 00:01:18,078 --> 00:01:20,546 Meet the new Hideshi who will not die. 5 00:01:21,648 --> 00:01:24,208 I will show you many painful things. 6 00:01:42,268 --> 00:01:47,228 The Making of Guinea Pig 7 00:01:57,217 --> 00:02:04,851 [Guinea Pig 2: Flower of Flesh and Blood] 8 00:02:28,081 --> 00:02:34,213 In five, four, three, two, one, action! 9 00:03:07,487 --> 00:03:16,361 Is this all right? OK, I got it. 10 00:03:17,063 --> 00:03:21,022 We may stop in the middle, depending on how it comes out. 11 00:03:21,401 --> 00:03:22,527 OK, please get ready. 12 00:03:23,570 --> 00:03:30,032 OK, this is a take. In five, four, three, two, one, action! 13 00:03:41,921 --> 00:03:47,223 [Guinea Pig 2: Flower of Flesh and Blood] 14 00:03:54,701 --> 00:03:58,000 [The bone is made of polyester resin and the flesh is urethane sponge] 15 00:03:58,705 --> 00:04:04,007 [The tendons are made of latex.] 16 00:04:23,062 --> 00:04:27,692 [The movement of the fingers is done by using wire work] 17 00:04:36,576 --> 00:04:38,203 OK, cut! 18 00:04:53,693 --> 00:04:59,825 We use wires for the special effects. There are five cables. 19 00:05:02,035 --> 00:05:07,837 [SFX Artist Nobuaki Koga] It is a very simple structure, just pulling the cable moves the finger. 20 00:05:27,727 --> 00:05:31,356 [A tube is placed inside to squirt the blood.] 21 00:05:49,082 --> 00:05:56,318 In five, four, three, two, one, action! 22 00:06:08,701 --> 00:06:12,330 They showed me the video, Guinea Pig: Devil's Experiment 23 00:06:13,039 --> 00:06:15,837 and proposed to me, to make a second version. 24 00:06:16,709 --> 00:06:22,011 I watched the video, and then we decided to use my work called 25 00:06:23,383 --> 00:06:28,844 [Hideshi Hino] "Flower of Flesh and Blood" as the basic script for the second one. 26 00:06:35,895 --> 00:06:38,363 When illustrating a scene, I try to focus on just one thing, 27 00:06:39,065 --> 00:06:42,364 highlight it, and describe it thoroughly. 28 00:06:44,404 --> 00:06:46,031 From the thorough illustration, I believe the audience will use their 29 00:06:46,406 --> 00:06:50,706 own imagination to expand the scene. 30 00:06:51,577 --> 00:06:57,982 This is what I am aiming for and that's why a man simply dismembering 31 00:06:58,518 --> 00:07:05,981 a woman without a trace of meaning or reason makes sense. 32 00:07:07,360 --> 00:07:10,818 I think it should be meaningful if the audience not only watches 33 00:07:11,697 --> 00:07:17,329 the scene as it is but also goes into another imaginary realm. 34 00:07:18,037 --> 00:07:21,006 That's the aim of Flower of Flesh and Blood. 35 00:07:43,062 --> 00:07:45,690 OK, that was good. 36 00:07:46,566 --> 00:07:47,533 Is this the right amount of blood? 37 00:07:48,734 --> 00:08:04,480 [From Guinea Pig 2: Flower of Flesh and Blood] 38 00:08:22,535 --> 00:08:25,333 [Molding at SPFX Studio for Flower of Flesh and Blood] 39 00:08:39,886 --> 00:08:44,152 It is impossible to mould a whole body at once, so we made a head... 40 00:08:44,223 --> 00:08:49,684 [First apply a coating of alginic acid impression material inside] 41 00:08:49,762 --> 00:08:52,856 ...both hands, and wrists first, then arms, legs, and torso. 42 00:08:55,668 --> 00:09:00,799 [Reinforce with soft plaster as a backup] 43 00:09:04,510 --> 00:09:09,641 We moulded them separately, taking into account each special effect 44 00:09:10,683 --> 00:09:13,151 such as the "chopping off" and the later details. 45 00:09:13,920 --> 00:09:18,653 For these effects, we also had to place an oil jelly material inside the mould. 46 00:09:20,927 --> 00:09:24,328 It took a very long time to remove the plaster from the moulds 47 00:09:25,932 --> 00:09:28,901 since the pieces must fit together to make a whole body. 48 00:09:29,769 --> 00:09:34,001 Then we created a silicon mould and filled it with oil jelly, 49 00:09:34,874 --> 00:09:40,972 and injected soft urethane foam to create the completed piece. 50 00:09:41,047 --> 00:09:45,177 [Apply a hard plaster coating inside and create a plaster male counterpart] 51 00:09:46,619 --> 00:09:53,183 [Then create a female coupler with silicon gum and pour it with oil jelly] 52 00:09:55,227 --> 00:09:58,526 Oil jelly is a material which has a very strong transparent feel. 53 00:10:00,733 --> 00:10:07,696 Human skin, we perceive, is not only the reflection of the surface color. 54 00:10:09,075 --> 00:10:14,377 We also perceive the flesh, vessels, and fat under the skin. 55 00:10:15,414 --> 00:10:20,545 All those colors catch our eye through the skin. 56 00:10:20,920 --> 00:10:23,218 [Over 50 body parts were made for the video, including prototypes] 57 00:10:23,289 --> 00:10:26,224 We couldn't obtain the quality if we dealt with just the skin surface. 58 00:10:26,826 --> 00:10:31,229 We had previously used foam rubber, the effect we could get was limited 59 00:10:33,766 --> 00:10:39,227 limited to just coloring of the surface because of its substantial limitations. 60 00:10:41,941 --> 00:10:45,001 Regarding the transparent feel, it was very unsatisfactory. 61 00:10:45,578 --> 00:10:52,142 [Oil jelly was developed as a tunic material for submarine cables] Then we found a material called oil jelly and decided to use it. 62 00:10:52,451 --> 00:10:59,687 It was better than foam rubber and now here we are. 63 00:11:00,393 --> 00:11:02,861 Artificial food red is used for blood. 64 00:11:03,729 --> 00:11:08,860 We used red from the artificial food red and yellow and blended them together. 65 00:11:09,835 --> 00:11:16,206 In Guinea Pig 2, for the glutinousness of blood, we mixed in gelatin. 66 00:11:31,590 --> 00:11:35,219 Summer of 198X 67 00:11:36,762 --> 00:11:44,464 [From Guinea Pig: The Devil's Experiment] 68 00:11:46,939 --> 00:11:51,740 The human body does not bleed immediately after a cut unless the cut is really severe. 69 00:11:52,611 --> 00:11:58,743 We wanted to get the same effect, so we placed an injection needle 70 00:11:59,385 --> 00:12:04,846 in a hand made of oil jelly which already had a cut in it. 71 00:12:06,392 --> 00:12:09,190 After the surgical knife passes the cut, we put pressure on the 72 00:12:09,895 --> 00:12:13,524 blood pipe and push out the blood from the injection needle. 73 00:12:14,066 --> 00:12:19,197 By doing this, we got the effect of the blood coming out a beat after the cut. 74 00:12:20,072 --> 00:12:21,664 We asked the actress to hold her eye open while we created a... 75 00:12:21,741 --> 00:12:23,504 [From Guinea Pig: The Devil's Experiment] We asked the actress to hold her eye open while we created a... 76 00:12:23,576 --> 00:12:28,513 [From Guinea Pig: The Devil's Experiment] ...moulded piece, then we replaced it with a fake eye. 77 00:12:28,581 --> 00:12:32,210 We used that for the scene where the needle is stuck into the eye. 78 00:12:32,585 --> 00:12:35,713 For the scene where the needle comes out of the eye, 79 00:12:36,255 --> 00:12:42,216 we switched the fake eye to an eyeball that was made of oil jelly. 80 00:12:54,707 --> 00:12:58,666 Guinea Pig 3 81 00:13:01,714 --> 00:13:03,614 Guinea Pig 3: He Never Dies 82 00:13:04,717 --> 00:13:14,024 [From The Shocking Immortal Man AKA: He Never Dies] 83 00:13:50,262 --> 00:13:52,230 Oh, ouch, ouch. 84 00:13:56,936 --> 00:14:00,167 When you touch the wrist like this... 85 00:14:03,876 --> 00:14:08,677 We should shoot the same position so everything connects and flows... 86 00:14:14,620 --> 00:14:16,520 That's just right. 87 00:14:24,897 --> 00:14:30,858 Mr. Sato, put the knife in as far as possible. 88 00:15:10,376 --> 00:15:13,174 About right here. 89 00:15:13,545 --> 00:15:15,172 OK, I am going to let it drip now. 90 00:15:18,717 --> 00:15:21,185 You did it. Wow, it's so real. 91 00:15:25,224 --> 00:15:27,192 Ahhhh. Ouch, ouch. 92 00:15:28,394 --> 00:15:30,191 You don't have to press it that hard. 93 00:15:51,417 --> 00:15:57,720 [It is important to check on the monitor during SFX shooting.] 94 00:16:22,214 --> 00:16:28,619 [3 types of arms were made for the first knife scene for the 3 different angles] 95 00:16:36,729 --> 00:16:41,189 All right. Let's start on the spot. OK, roll. 96 00:17:00,019 --> 00:17:01,987 Ahhhh. Ouch. 97 00:17:11,764 --> 00:17:12,992 OK, please move it. 98 00:17:13,365 --> 00:17:15,663 Whoops, sorry. I'm sorry. The amount of blood is different from the last time. 99 00:17:17,036 --> 00:17:19,834 I should put it in a eye dropper or some kind of container... 100 00:17:20,039 --> 00:17:20,937 Is this all right? 101 00:17:22,041 --> 00:17:34,181 [From Guinea Pig 3: He Never Dies] 102 00:17:50,402 --> 00:17:52,529 I cut it. 103 00:17:59,511 --> 00:18:04,813 In this version, we also have a scene where the hand has some movements. 104 00:18:05,851 --> 00:18:07,978 We improved on it a bit. 105 00:18:08,854 --> 00:18:11,823 The hand moves more smoothly even though we are using the cables. 106 00:18:12,691 --> 00:18:13,988 What kind of movement is it? 107 00:18:14,693 --> 00:18:16,820 This is where a ballpoint pen is being stabbed into the hand. 108 00:18:17,196 --> 00:18:18,493 Do you have a pen? 109 00:18:21,533 --> 00:18:27,165 For example, there is an aluminum sash right here, it works as a bone. 110 00:18:28,373 --> 00:18:32,833 You stab it like this. Of course, the pen will get some pieces of flesh. 111 00:18:33,879 --> 00:18:37,838 The finger moves like this. 112 00:18:41,386 --> 00:18:50,192 [From Guinea Pig 3: He Never Dies] 113 00:20:09,408 --> 00:20:15,210 [The five fingers move independently of each other] 114 00:20:33,932 --> 00:20:39,632 [The wire work takes four people to operate] 115 00:22:11,396 --> 00:22:13,864 OK, this is a take. Ready, action! 116 00:22:27,079 --> 00:22:28,706 OK, cut! 117 00:22:36,755 --> 00:22:39,724 Let's try it one more time. 118 00:23:11,223 --> 00:23:17,184 [From Guinea Pig 3: He Never Dies] 119 00:23:17,896 --> 00:23:19,693 Oops, I dropped it! 120 00:23:22,234 --> 00:23:24,031 What am I doing... 121 00:23:59,204 --> 00:24:04,665 Nonsense means a true void of meaning. It is very difficult to deny 122 00:24:07,212 --> 00:24:09,840 something which does not have any meaning. 123 00:24:10,715 --> 00:24:12,683 I don't know how to put it, but nonsense is like, 124 00:24:13,718 --> 00:24:19,679 you know it is interesting but you don't know what is so interesting. 125 00:24:20,892 --> 00:24:23,360 The idea of the man who can never die is interesting enough in itself 126 00:24:24,062 --> 00:24:26,030 so I wanted to do so many things. 127 00:24:26,398 --> 00:24:30,198 Like dismembering and so on. I thought a man who can commit suicide. 128 00:24:32,070 --> 00:24:37,872 [Writer/Director Masayuki Hisamot] As many times as he wants was pretty ridiculous in terms of the degree of nonsense. 129 00:24:38,243 --> 00:24:40,370 But, you know, suicide is in fashion now. 130 00:24:42,247 --> 00:24:47,879 Directing is really hard work. Like conducting so many people, for instance. 131 00:24:50,922 --> 00:24:56,827 I mean it is a difficult task, or a difficult role, I think. 132 00:24:58,864 --> 00:25:01,332 OK, action! 133 00:25:02,200 --> 00:25:05,829 You know? Let me see, how can I say this, you know 134 00:25:07,038 --> 00:25:08,005 it will not be of interest to a person without talent. 135 00:25:08,373 --> 00:25:11,831 I am, you know, I am rather, a person with great sensibility, no? 136 00:25:14,880 --> 00:25:16,507 There are no attractive men in this company. 137 00:25:16,882 --> 00:25:18,144 No men good for anything. 138 00:25:18,216 --> 00:25:18,682 [From Guinea Pig 3: He Never Dies] No men good for anything. 139 00:25:18,750 --> 00:25:19,148 [From Guinea Pig 3: He Never Dies] 140 00:25:19,217 --> 00:25:24,849 [From Guinea Pig 3: He Never Dies] I will never marry a man who works for this company! 141 00:25:24,923 --> 00:25:26,185 [From Guinea Pig 3: He Never Dies] 142 00:25:26,791 --> 00:25:32,855 But I don't feel good in Japan, do you? It's, how should I say... 143 00:25:42,908 --> 00:25:45,035 How was it? 144 00:25:46,578 --> 00:25:47,875 Perfect! 145 00:25:48,747 --> 00:25:53,810 Great! But a bit too cheerful. You'd better not smile... 146 00:27:17,202 --> 00:27:30,639 [About Kyoko's role] She is rather a modern girl, cheerful and not too impressed by the world. 147 00:27:32,717 --> 00:27:36,653 [EVE who played Kyoko] He is a very funny person. I wonder why he didn't become an actor. 148 00:27:36,721 --> 00:27:39,019 He is a very funny person. I wonder why he didn't become an actor. 149 00:27:40,225 --> 00:27:45,185 [About Kuzumi Director] If he does the directing and acting at the same time, 150 00:27:46,731 --> 00:27:53,967 I think we would come up with something really good. 151 00:27:55,006 --> 00:27:58,601 [The best part of this video] The video came out really well. I cannot explain why in a word. 152 00:28:03,014 --> 00:28:09,647 I won't tell you the story because I want you to go and buy the video. 153 00:28:10,188 --> 00:28:12,986 Please, buy the video and watch it! 154 00:28:13,692 --> 00:28:18,823 Just a little more. Walk toward the black paper over there. 155 00:28:19,531 --> 00:28:21,999 In this direction... And walk like this... 156 00:28:23,702 --> 00:28:26,671 Yeah, you're right. 157 00:28:30,709 --> 00:28:32,836 OK, let's rehearse it. 158 00:28:40,885 --> 00:28:43,285 OK, this is a rehearsal. Ready, action! 159 00:28:43,888 --> 00:28:50,953 [From Guinea Pig 3: Shocking Immortal Man] Welcome to my cursed house, Mr. Elvis Nakamura! 160 00:28:53,164 --> 00:28:54,859 What happened with you, Hideshi? 161 00:28:56,000 --> 00:29:01,131 Welcome! Cu-cukk, cu-cukk, my pale face! 162 00:29:01,339 --> 00:29:05,469 I am not the Hideshi of before. 163 00:29:08,346 --> 00:29:12,476 No longer the old Hideshi who is always apologizing... 164 00:29:14,018 --> 00:29:18,318 "No, I am sorry. Not really, but..." 165 00:29:18,857 --> 00:29:23,590 Meet the new Hideshi who will not die. 166 00:29:24,028 --> 00:29:26,155 I will show you many painful things. 167 00:29:34,773 --> 00:29:36,502 OK. Cut. It was good. 168 00:29:39,677 --> 00:29:42,669 Please pardon me! 169 00:29:53,725 --> 00:29:57,491 [From Guinea Pig 3: Shocking Immortal Man] Hideshi! Please stop it now! 170 00:29:57,562 --> 00:29:57,994 [From Guinea Pig 3: Shocking Immortal Man] 171 00:29:58,062 --> 00:29:59,859 [From Guinea Pig 3: Shocking Immortal Man] Oh, you apologize. 172 00:29:59,931 --> 00:30:01,023 Oh, you apologize. 173 00:30:02,066 --> 00:30:07,026 What kind of pleasure are you getting from this? 174 00:30:08,907 --> 00:30:12,866 One more! Nothing more! 175 00:30:22,253 --> 00:30:27,555 [Camera crews were forced to shield themselves from the guts being thrown] 176 00:30:30,094 --> 00:30:34,155 [Shinsuke Araki, "Masatoshi Nakamura"] He is interesting because he is a little off from normal people's idea of common sense. 177 00:30:34,265 --> 00:30:36,699 The gap makes this man really something unusual. 178 00:30:36,768 --> 00:30:38,531 [About Masatoshi Nakamura's role] The gap makes this man really something unusual. 179 00:30:38,603 --> 00:30:45,907 [About Masatoshi Nakamura's role] He is not a handsome man, rather deviated from others. 180 00:30:47,779 --> 00:30:51,078 This was the first bed scene for me, so I was so nervous 181 00:30:51,282 --> 00:30:53,682 especially because it was with EVE. 182 00:30:54,052 --> 00:31:01,686 She was so confident and led me well. It was very helpful. 183 00:31:01,759 --> 00:31:06,196 [About Kuzumi Director] He is a much better actor than I am. I thought he should be in it. 184 00:31:06,364 --> 00:31:11,358 It would be great if he joins us in Guinea Pig 4 as an actor. 185 00:31:12,637 --> 00:31:20,203 As a director, he is primarily concerned with the characters 186 00:31:20,745 --> 00:31:25,045 so it was less difficult for us to play the role. 187 00:31:49,774 --> 00:31:54,336 First, lift the pajama with your left hand, then quickly strip it with the right hand. 188 00:32:11,396 --> 00:32:13,023 The camera, please move to the center. 189 00:32:34,919 --> 00:32:40,721 Let's do it one more time. 190 00:32:41,426 --> 00:32:46,056 Well... First you are in pajamas and then go... 191 00:32:47,598 --> 00:32:50,567 "And today's show and entrails are over!" 192 00:32:59,877 --> 00:33:04,576 Did you lose consciousness? It has such a strong impact. 193 00:33:05,383 --> 00:33:09,683 The horror, it petrifies them. I would be petrified if I had to look at it, too. 194 00:33:11,389 --> 00:33:14,847 So, well, what shall I do for an encore? 195 00:33:15,226 --> 00:33:19,856 [Previously omitted scene] Right! Why don't I try a stapler and pinch the eyelids shut with it. 196 00:33:19,931 --> 00:33:21,023 [Previously omitted scene] Then, jerk the eye open. It must be painful. 197 00:33:21,099 --> 00:33:23,693 Then, jerk the eye open. It must be painful. 198 00:33:24,669 --> 00:33:28,867 Or try a push-pin and stick it into a mole. It must tingle and feel good. 199 00:33:29,407 --> 00:33:34,709 Am I a sadist or masochist? Anyway, let's try that. 200 00:33:35,913 --> 00:33:42,876 What is the video called? Guinea Pig! Let's try that. No, no, that's no good. 201 00:33:43,755 --> 00:33:46,053 No, no no, that's no good. 202 00:33:46,257 --> 00:33:53,823 The needle went in and squirted out this way. I'd rather die than I try that. 203 00:33:54,499 --> 00:33:59,835 Oh! I wonder if Nakamura brought what I asked for. 204 00:34:05,510 --> 00:34:11,676 Mr. Eiji Tsuburaya hasn't shown up yet. Since Mr. Tsuburaya passed away, 205 00:34:12,050 --> 00:34:14,678 Japanese SFX has kept declining. 206 00:34:15,520 --> 00:34:24,519 I've heard there are some people holding out by making independent videos. 207 00:34:25,063 --> 00:34:29,864 But as a commercial base there is no bright hope ahead. 208 00:34:31,702 --> 00:34:37,868 It is a very tough time for us now. 209 00:34:38,910 --> 00:34:46,043 To study SFX, there are no set instructions you must follow. 210 00:34:47,552 --> 00:34:51,886 All you need is a strong passion. 211 00:34:52,423 --> 00:34:57,486 However, for SFX make-up, you definitely need some medical knowledge 212 00:34:58,029 --> 00:35:00,327 since it directly deals with human flesh. 213 00:35:01,933 --> 00:35:05,664 Knowledge of physics is also necessary. 214 00:35:06,204 --> 00:35:12,165 From the basic principle of the lever to more complex ones. 215 00:35:13,811 --> 00:35:22,515 It is important that are able to construct the whole picture in your head. 216 00:35:24,388 --> 00:35:37,700 Since you must also utilize electrical technology and radio control mechanisms, 217 00:35:38,202 --> 00:35:48,703 I believe general and varied knowledge is required. 218 00:36:37,895 --> 00:36:44,494 [Toward the end of the video, the crew became tense] 219 00:37:15,366 --> 00:37:19,632 [For this scene we used a blue screen & the body part was erased by optical wipes] 220 00:37:46,397 --> 00:37:49,366 There isn't anybody who wouldn't feel awful now. 221 00:37:49,734 --> 00:37:53,727 Put your hand like this and go "There is nobody!" 222 00:37:56,340 --> 00:37:59,798 If you do that, he will react like 223 00:38:07,351 --> 00:38:10,320 "What, what, aren't you scared?", since he is so weak. 224 00:38:37,281 --> 00:38:43,015 [From Guinea Pig 3: Shocking Immortal Man] Come in! I am the man who cannot die. 225 00:38:47,224 --> 00:38:52,184 Dirty! What did you do? Wao! 226 00:38:57,635 --> 00:39:01,594 No! You made such a mess. 227 00:39:02,640 --> 00:39:08,977 -Nakamura! Get up! Get up! -What are you doing here? 228 00:39:11,182 --> 00:39:14,151 Oh no! Why do you do these things? Sorry Hideshi has cut his wrist 229 00:39:14,685 --> 00:39:17,950 stomach and entrails, and made the room bloody. 230 00:39:19,857 --> 00:39:23,156 Say Hideshi! What are you doing? You've made such a mess. 231 00:39:31,702 --> 00:39:37,334 Yeah, the last scene is great. Really. Cheerful and cute. 232 00:39:38,042 --> 00:39:46,177 [Masahiro Sato, "Yoshio"] I really wanted to do it, too. The gross part was when I cut with the cutter knife. 233 00:39:46,550 --> 00:39:50,350 That was the worst because in a real life you have that kind of temptation. 234 00:39:51,222 --> 00:39:57,354 It's not a matter of dying, but you really feel the flesh when you cut it 235 00:39:57,895 --> 00:40:01,854 with the knife so the sound got under my skin and it was really gross. 236 00:40:02,733 --> 00:40:07,864 But the last scene was fun. I am sure you want to try that too. 237 00:40:08,906 --> 00:40:13,366 You know the part where there is a decapitated head. 238 00:40:13,978 --> 00:40:18,881 Mr. Kuzumi loves comics. So I like his taste for the details. 239 00:40:20,084 --> 00:40:23,542 He is very particular about the little things 240 00:40:29,260 --> 00:40:34,892 Those kinds of things are everywhere in the video and I think it's great. 241 00:40:35,366 --> 00:40:40,895 The best part of this movie? It's up to you and your own taste. 242 00:40:41,439 --> 00:40:43,236 You can enjoy finding the details if you're a fan of Mr. Kuzumi's comics. 243 00:40:44,108 --> 00:40:46,406 The little things like the books, videos or records in the background. 244 00:40:47,111 --> 00:40:48,908 Or enjoy how the man tries to wear the hat. Or watch it as a splatter video. 245 00:40:50,448 --> 00:40:51,915 Or you can watch it as a comedy. 246 00:40:52,783 --> 00:40:54,512 There are many ways to enjoy it, so please watch it as you like. 247 00:40:55,152 --> 00:40:56,847 You can watch this video in the middle of the night. 248 00:40:57,388 --> 00:40:58,514 You can watch it alone too, you know. 249 00:40:59,557 --> 00:41:04,153 [Producer: Satoru Ogura] This video is intended to simply get rid of stress. 250 00:41:04,228 --> 00:41:07,686 We thought it would be really interesting if the audiences 251 00:41:07,798 --> 00:41:11,859 [About Guinea Pig Plans] could ease their stress by just watching the video. 252 00:41:12,403 --> 00:41:14,030 And this kind of video was unheard of. 253 00:41:14,738 --> 00:41:16,865 As a result, it kind of turned out to be splatter or horror like. 254 00:41:18,742 --> 00:41:26,547 Even though Guinea Pig is a series that focuses on cruelty. 255 00:41:27,751 --> 00:41:36,682 [About Future Plans] We won't hold on to just that topic in the future. 256 00:41:37,928 --> 00:41:46,393 But if we want to make something flashy and have scenes on 257 00:41:46,937 --> 00:41:52,398 this video which cannot be shown in movies or on TV, 258 00:41:52,776 --> 00:41:58,840 we feel we must keep making them on video and we are willing to do that. 259 00:42:03,721 --> 00:42:08,021 Names of all the staff who participated in 260 00:42:08,559 --> 00:42:12,859 the Guinea Pig series with respect for all their contributions 261 00:42:20,237 --> 00:42:25,869 The Making of Guinea Pig: Director: Jyunko Okamoto 262 00:42:26,911 --> 00:42:31,871 Photographer: Jyunko Okamoto, Naoki Hayashi 263 00:42:32,917 --> 00:42:36,876 Interview: Miwa Iwanami 264 00:42:37,922 --> 00:42:41,881 Producer: Satoru Ogura