THE SINISTER TAROT by Unknown
&
Tarot
Reading (Practice) from The Naos
This text containts archetypes in the Major Arcana of the Sinister Tarot for Meditation along the Pathways of the Tree of Wyrd, and is laid out in a schematic way to enable selfstudy where the prime objective is selfdevelopment for the individual reader. View the image of the Septenary Tree of Wyrd below, and use it together with the septenary schemeatic list to gain insight on the Sinister Tarot. This should help you to grasp the idea of the septenary way.
N° |
|
PATHWAYS |
CARDS |
1 |
NOCTULIUS |
From Moon to Mercury |
XV DEOFEL |
2 |
NYTHRA |
From Moon to Venus |
XIII DEATH |
3 |
SHUGARA |
From Moon to Mars |
XVIII MOON (1)
|
4 |
SATANAS |
From Moon to Sun |
VII AZOTH |
5 |
AOSOTH |
From Moon to Jupiter |
XIV HEL |
6 |
AZANIGIN |
X WYRD | |
7 |
NEKALAH |
From Mercury to Mars |
VIII CHANGE |
8 |
GA WATH AM |
From From Mercury to Sun |
0 PHYSIS |
9 |
BINAN ATH |
From Mercury to Mars |
I MAGICKIAN |
10 |
LIDAGON |
XI DESIRE | |
11 |
ABATU |
From Mercury to Saturn |
XVI WAR |
12 |
KARU SAMSU |
From From Venus to Sun |
VI LOVERS |
13 |
NEMICU |
XVII STAR | |
14 |
MACTORON |
From Venus to Jupiter |
II HIGH PRIESTESS |
15 |
VELPECULA |
From Venus to Saturn |
XIX SUN |
16 |
KTHUNAE |
From Sun to Mars |
IV LORD OF EARTH |
17 |
ATAZOTH |
From Sun to Jupiter |
V MASTER |
18 |
VINDEX |
From Sun to Saturn |
XII OPFER |
19 |
DAVCINA |
from Mars to Jupiter |
III MISTRESS OF EARTH |
20 |
SAUROCTONOS |
From Mars to Saturn |
IX HERMIT |
21 |
NAOS |
from Jupiter to Saturn |
XX AEON |
In the Tree of Wyrd there are only twenty-one pathways and twenty-one Sinister Tarot images, the Major Arcana (0 - XX). Thus, each Dark God together with its linked Atu Card represents a pathway on the Tree of Wyrd, and does not leave anything unconnected as found in the Qabala Tree of Life. It is simpler really and more practical that the Qabala Tree of Life, as essentially the Tree of Wyrd is to be used as a "gateway" to our consciousness. Whereas the Qabala Tree of Life does NOT act as a gateway in the same sense, since it does not help gain insight to the personal psyche adequately. Caelethi, The Black Book of Satan II contains the symbols for each of the Dark Gods, and these are also recommended to use during the meditations.
[1] Luna. [2] Hidden Pathway. [3] Hidden Pathway. [4] Hidden Pathway.
READING of THE SINISTER TAROT
[More observant initiates/adherents might take notice of some differences between the descriptions of the tarot in herein and the images as drawn by C. Beest. The tarot here is described in terms perhaps somewhat impertinent to the realm of internal magick, but nevertheless practical for various applications. -- V. Thornian]
The Major Arcana has twenty-one cards, and there are eleven cards in each suit - the four 'Court' cards (High Priest, High Priestess, Warrior and Maiden), the ace and six others numbered two to seven.
There are four suits: Wands, Pentacles, Swords and Chalices, each having many
attributions, some of which are listed below.
High Priest | High Priestess | Warrior | Maiden |
Sylphs | Gnomes | Salamanders | Undines |
West | South | East | North |
Air | Earth | Fire | Water |
Capricorn | Cancer | Libra | Aries |
Wands | Pentacles | Swords | Chalices |
These four are symbolized, in each suit, in the same general way (see
table below) - the variants depending on the suit. For instance, the card
the High Priest of Wands would depict the Priest holding a wand, while the card
the High Priest of Swords he would bear a sword. The predominant color of the
card would depend on the planetary attribution -
Pentacles is Moon,
Swords is Sun
And Chalices is
Venus.
Merging to Black (the Ego aspect) And Blue
(the Self aspect).
For Pentacles the colors are Blue, Silver and Green;
For Swords, Orange,
Gold and Red;
For Chalices, Green, White and Silver.
Priest | Priestess | Warrior | Maiden |
Bearded man | Beautiful woman | Young man | Young woman |
Barefoot | Throne on Earth | Horse | Near water |
Cloak | Robe | Naked | Naked |
Wolf | Leopard | Eagle | Owl |
Mountains | Glade | Desert | Altar |
Staff | fruit | Sword | Crescent moon |
Thus the High Priest for all suits is depicted as a bearded man,
standing/walking barefoot wearing a cloak. He carries a staff, a wolf is near or
beside him and he is set in or against a background of mountains.
The impression given by the cards of the High priest should be of wisdom,
that of the High Priest fecundity (and veiled sexuality - i.e. sexuality
suggested rather than obvious); that of the Warrior, strength and courage; and
of the Maiden, overt youthful sexuality.
The Four Aces:
These represent the base of the elements
Wands | White brilliance combining through indigo and black into the shape of a wooden wand. |
Pentacles | Green molded into a tetrahedron enclosed by a pentacle (a circle inscribed with an inverted seven pointed star). Around the pentacle - swirling violet and blue. |
Swords | A red/orange sword plunging into a golden chalice. Around - yellow stars on background of purple. The stars include the constellation of Orion. |
Chalices | A blue/green chalice overflowing with blue/red/green liquid. Around - blue and white mist-suggesting trees. |
Two-Seven:
These are increasing emanations of the element containing the number of symbols appropriate - e.g. the seven of wands, seven wands.
The number of the card gives the appropriate colors - 2 is Jupiter, 3 Mars, 4
Sun, 5 Venus, 6 Mercury and 7 Moon. Thus the colors for 7 are Silver, Blue and
Green.
To read the cards for an individual, the individual cards are seen and interpreted in relation to the others around them. This is done because the cards are symbols of how certain energies have, are and maybe influencing the person for whom the reading is being done - and these energies are never static, or in isolation.
The essence of initiated readings is empathy: an awareness of the energies within, around and external to the individual, and the cards are used to 'focus" these energies in consciousness. To aid this, the setting of the reading should be imbued with magickal anticipation. This is easily achieved - for example by using one candle - having no other persons present than the individual foe whom the reading is being done, laying the cards out on a black cloth kept for this purpose, burning one particular incense whenever you do a reading (and never using that incense for any other purpose). Ideally, the room/area where the reading is undertaken should be quiet and calm.
Two types of card layout may be used. These follow you shuffling the cards in a mindful, calm way after which the client cuts the pack three times, laying each cut beside the other. Choose which cut you feel is appropriate and use the cards in that pile, starting with the top card.
The first layout is the 'Celtic', the second the 'Septenary'.
In this, the second card is placed across the first.
There are also other influences which must be considered. 4, 6, 9 and 10 are how positive energies flow (via 2) - 3, 6, 8, and 7 the negative ones. 3-2-10 are how the unconscious influences can be made conscious (i.e. controlled or circumstances altered) in a positive way. 5-2-7 is how the present will evolve to enable 10 to arise - or conversely, how to prevent 10 arising.
In undertaking a reading two important principles should be understood. First, the interpretation of each card is not rigid - the meanings suggested by each card should arise in your mind naturally, that is, they should be intuitive and spontaneous. For this reason, 'book' interpretations and of particular cards must be avoided. This intuitive approach enables the cards to be used correctly - as mediums to awaken he psychic faculties.
The second principle, is to have all the cards upwards: there is no meaning
in 'reversed' cards - because what is 'reversed' is covered by the 'unconscious'
patterns/flow considered in each reading.
7
5 6
4
2 3
1
Septenary
Here the cards are related to the planetary/sphere aspects - e.g. 5 is the sphere associated with Mars. These relations (in terms of energies) should be consider as well as the following:
1 Are unconscious factors,
2 and 3 the past (and the unconscious
becoming more conscious);
4. The present,
5 and 6 the immediate future and beyond, and 7 the outcome.
In addition, 1 - 2 - 5 are negative elements/energies; 1 - 3 - 6 positive. 1 - 4 - 7 what needs to be done to bring 7 (or, again, prevent it from arising).
In both this and the Celtic pattern all combinations should be seen as how
energies flow and change, or become altered through the other influences
present. Intuition should enable the practical manifestation of these energies
to be understood - e.g. a particular influence might represent an actual person
or event in the client's life.
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