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Then she requested some clay to make a model of what she saw. She felt that the new medium would allow her an additional mode to express what she was experiencing. The target was the Berkeley University Bevatron. It is a hollow, circular particle accelerator that is, indeed, an "energy expander," and has four beam tubes leading to the experimental labs. The illustration in Figure 13 shows the remarkable similarity between her drawing, her clay model showing the beam tubes, and the accelerator fifty miles away. With Hella, we often saw this kind of almost-magical connection between the function and form of the place. One day when the target was the Stanford Linear Accelerator, she saw "polished metal tubes or cylinders. . . . This has something to do with a trajectory," she said. Such a description is, of course, entirely appropriate for an electron accelerator. |
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In a 1983 BBC television program on ESP, producer Tony Edwards asked Hella how she did remote viewing. Her answer was that "We've been doing it all these years. We still don't know how it works. It would be wonderful if we did. But we still don't know." That program became the NOVA presentation entitled "The Case for ESP," and it continues to be one of their most popular reruns. |
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What Research Has Taught Us about Remote Viewing |
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For a phenomenon thought in many circles not to exist, we certainly know a great deal about how to increase and decrease the accuracy and reliability of remote viewing. In the remainder of this chapter we will share with you what we know about the process. |
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Accuracy and Reliability of Remote Viewing |
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Remote viewers can often contact, experience, and describe a hidden object, or a remote natural or architectural site. They can do this based on the presence of a cooperative person at the location, geographical coordinates, or some other target demarcation, which we call an address. We know that remote viewing is not mind reading, because viewers have often correctly visualized things that were totally unknown to anyone else at the time. |
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