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heavyweather
!4AIf7oXcbA
>>130141 Just because people are unaware of working professionals in specific fields such as literary criticism or film criticism doesn't mean that those aforementioned folks aren't important in their own circles. Sure, Joe Shmoe might not know about the critics, but the people who matter do: gallery owners, art buyers, curators, professors, et cetera.
Woah, it's like there's a whole world out there, complete with self-sustaining niche industries and sectors that spawn critics and academics.
Get some worldview.
Back to the photo: Someone made the comment that you can integrate the horizontal lines of the film sprockets into the composition. Totally true, and it'd be interesting to see how you work that in there. I think it really works for this photo. It trisects homeboy and bisects homegirl, which makes for some interesting disruption, and it makes the whole thing flow nicely from right to left. I really, really like this shot, and you're whole method. Do more stuff with this workflow.
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