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>>56943 See http://www.temple.edu/photo/photographers/spring03/photographers/clay/Seminar/Robert%20Capa/CapaDDay UC.htm
Take a look at those shots of the D-Day invasion by Robert Capa. The blurriness (and the really harsh grain) gives the shot a very gritty, realistic feel. Shit was moving, shit was moving *fast*, and he was dodging bullets while taking those shots. It really puts you in the moment.
There are also more mundane situations where you just want to convey a sense of motion and/or chaos where a blurry pic will win over a sharp one, but I think Capa's D-Day pics are the best example of them.
(Although, granted, he probably would have chosen sharper ones if some jackass hadn't opened the door to the darkroom while he was developing 'em. But hey, even his bottom-of-the-barrel castoffs are considered masterpieces, and that's saying something.)
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