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Anonymous
The problem with calibration is that print shops invariably have different hardware calibrations with different output qualities, which is something I ran into pretty extensively working in graphic prepress/post press. No matter how well you calibrate things so they look (and are) perfect, someone in the chain invariably finds a way to fuck it up.
That being said, I've definitely found CRTs to give a truer gamut for printed work than the majority of LCDs on the market, only differing in some of the representations of the higher wavelengths (oranges and reds). I use Philips and Cornerstone monitors calibrated using both software and physical calibration devices, and they both seem to do representation very close.
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