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Anonymous
This is fucking incredible. Especially the low-light performance -- there are shots in there that you'd have trouble shooting with a still camera and this does video. Look at the sharpness and smoothness of the car wheel when they come to a stop, or the lights in the tunnel. Look at how you can see EVERY GODDAMN HAIR in the silhouetted shot. MUch more so than still photography, this is going to change the face of filmmaking. Incredible lens options and creative control in a superbly sensitive 1080p camera for only $2700? Hell, that's as much as it would cost to cater one meal on many productions.
>>260944 MOV is, as you have cluelessly pointed out, a CONTAINER format. It's H.264 video inside. Run a passthrough on it and make it a .mp4 file in about ten seconds if it matters that much. Protip: You can drop H.264 .movs into Final Cut natively, and FCP _is_ an industry standard.
>>260967 >>260922 It seems to do a pretty good job with fast motion, so even if there is a rolling shutter pan issue, it may be minor. I'm gonna guess that if the DigicIV can process 84 megapixels/s of RAW data, though, that they can probably read-out the sensor really damn fast. It would still be rolling but significantly minimized.
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