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Anonymous
So is House shot on Film or Digital?

Sometimes it's eh, and sometimes it's fucking gorgeous.

In fact, is there somewhere I can find out who's shooting what for a particular show or film?
EXIF data available. Clickhereto show/hide.
Camera-Specific Properties:Equipment MakeHasselblad/ImaconCamera ModelIxpress 132C - Hasselblad H1Camera SoftwareAdobe Photoshop Elements 4.0 WindowsPhotographerCaptureImage-Specific Properties:Image Width4080Image Height5440Number of Bits Per Component8, 8, 8Compression SchemeUncompressedPixel CompositionRGBImage OrientationTop, Left-HandHorizontal Resolution300 dpiVertical Resolution300 dpiImage Data ArrangementChunky FormatImage Created2007:05:09 08:26:08Exposure Time268435/268435456 secF-Numberf/12.6ISO Speed Rating100Lens Aperturef/12.6Color Space InformationUncalibratedImage Width300Image Height400
>> pskaught
"below the line"
"variety"
IMDB

Shot on Kodak 35mm, Panavision camera and lenses.
>> Anonymous
>>Exposure Time 268435/268435456 sec
F-Number f/12.6
ISO Speed Rating 100
Lens Aperture f/12.6
>> Anonymous
Equipment Make Hasselblad/Imacon
Camera Model Ixpress 132C - Hasselblad H1
Hasselfag
>> Anonymous
>>93833
mmmm thought so.
>> Anonymous
Is there any difference between digital and film? I think just a very small one.
>> Anonymous
>>93895
There's stuff people like to cite as "intangibles". It's bullshit. However, there is a slight difference in the dynamic range, and there is of course the "grain" as opposed to "noise"
>> Anonymous
>>93895
you can tell pretty easily in extremely dark scenes if its digital or not. lots of freakin noise. see: 28 Days Later
>> Anonymous
>>93902
although the raindrops during the roadblock scene look absolutely delicious
>> pskaught
>>93895
the differences are getting smaller and smaller, and most digital features are printed on film for theatres so its hard to tell. That, and with digital intermediates and digital post processes for film and the ungodly amount of cg in movies today it gets harder to tell.

There is also a couple different levels.

SD(408i lines of resolution) a think a few shows might still use it. Flight of the Conchords for sure.

HD(720p 1080i/p) All of the reality shows, a few of the lower budget shows, a lot of what you would see on HBO and showtime.

35mm A lot of network shows, usually one camera shows.

RAW, the Genesis, the Dalsa, the d20 and cinealta. and I suppose the new red cam too. Basically a 2k/4k camera that shoots raw files instead of frames. I think the conversion might be somewhere around a 6MP chip, but a full 35mm size. Only larger network shows are using this, Ugly Betty was talking about it.. some others. Film will be completely phased out due to price, but at the moment its still cheaper.
>> Anonymous
>>93902
That's more a product of whatever group ripped and released the show online or very shitty digital cable compression. Compressors that use the keyframe - delta frame quantizer method choke and die on dark scenes or scenes with a lot of chaotic movement (rain, water).

No TV studio would run their stock footage through divx when they're done at the end of the day. The same thing happens to film when it's digitized, sent to the cable companies for broadcast and then recompressed and transmitted.