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Anonymous
Real HDR, faggots.

http://www.joemcnally.com/blog/2008/09/05/vegas-baby-vegas/#comments

Pic related, go down a bit on the page.
EXIF data available. Clickhereto show/hide.
Camera-Specific Properties:Equipment MakeNIKON CORPORATIONCamera ModelNIKON D3Camera SoftwareAdobe Photoshop CS3 MacintoshPhotographerJOE MCNALLY 2008Maximum Lens Aperturef/2.8Sensing MethodOne-Chip Color AreaColor Filter Array Pattern1046Focal Length (35mm Equiv)24 mmImage-Specific Properties:Image OrientationTop, Left-HandHorizontal Resolution72 dpiVertical Resolution72 dpiImage Created2008:09:04 12:55:42White Point Chromaticity0.3Exposure Time1/125 secF-Numberf/5.6Exposure ProgramManualISO Speed Rating200Exposure Bias0 EVMetering ModePatternLight SourceCloudy WeatherFlashFlash, Compulsory, Return Not DetectedFocal Length24.00 mmComment(c) Joe McNally 2008Color Space InformationsRGBImage Width600Image Height400RenderingNormalExposure ModeManualWhite BalanceManualScene Capture TypeStandardGain ControlNoneContrastNormalSaturationNormalSharpnessHardSubject Distance RangeUnknown
>> else !L6xabslN96
a publication like national geographic would never accept this photo. or would they?

http://digitalcustom.com/howto/mediaguidelines.asp
>> Anonymous
>>250965
this is the most tasteful and effective use of HDR i have ever seen
>> Anonymous
hmm, doesn't really look like HDR. But I guess that's sort of the point.
>> Anonymous
Not HDR.
>> Anonymous
HDR or not, it looks like shit.
>> Anonymous
Are you kidding, OP? I saw this in McNally's blog some days ago, Not HDR, it's a past-sunset, gelled-speedlight lit photo.

And for those who don't know Joe McNally, go study more.
>> Einta !!MWv3ICYobCM
>>251474
I was quite pleased to receive his book from my fiancee for my birthday. It's worth reading, even if you don't like hearing about film - which is what a lot of it was shot using.

Two main things I got from it that I have to try:
- I don't drag the shutter enough
- I don't gel flashes enough
>> fence !!POey2hdozCZ
you know what pisses me off? when people say to "go study this" or "go listen to this" like they're some fucking expert.

the truth is, a form of art is too big for any one person to have omniscience. this is why the real experts specialize, and why you can tell someone is a shithead for scoffing that you didn't know an obscure boston hardcore band from 1987.

so, yeah. while i have an intimate knowledge of the kunstakademie alumni and their contemporaries, i have no idea who the fuck joe mcnally is. why don't you tell me? i'm interested.
>> RAGE else !L6xabslN96
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>>251481

>>251480
this could get interesting, tell us more!
>> Anonymous
>>251481

You're right. Perhaps it's easy for me to say because I'm a commercial-oriented photographer who uses small flashes a lot.

Joe McNally is an american photog, born in Mont Clair, NJ, and is a staff shooter for National geographic since 1987. He's worked for many major publishers and vehicles (Life, Time, SI, ESPN, Fortune) and did advertisement for Nike, GE, Sony and others. He was the guy who used the biggest Polaroid camera in the world in his major 2001 exhibition "Faces of Ground Zero". He's overall a very knowleadgeble guy, and some months ago he released a damn fine book called "The moment it clicks", that rose to Amazon Top-500 in the first week of sales (That's the Top 500 of all site, not just books, not just photography). He has a blog, a very good read.
>> Anonymous
>>251561
>>I'm a sucky commercial photographer who sticks small flashes up my ass a lot.

fixed
>> Anonymous
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>> Anonymous
>>251561
I'm an expert on shit. I believe your full of it
>> Anonymous
>>251570
Can someone hurry up and fix /b/? The other boards can't contain these guys for long.