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Anonymous
This isn't quite photo-related, but what do you think HDR sound would sound like?

It'd work like this, microphones that are only sensitive to certain ranges would record something, one microphone would record the super low notes, one would do the regular notes, and one would do the high notes. These would then be combined together and the low and high sets would be moved up/down into the audible range while still keeping the same key.
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>> Anonymous
It would sound weird as fuck.
>> Anonymous
Go ask /mu/
>> Anonymous
ever listened to top 40 radio?

http://en.wikipedia.org/wiki/Audio_level_compression
>> Butterfly !xlgRMYva6s
High quality mics (not shitty usb ones) have huge dynamic range already, HDR is only needed for digital sensors to compensate for their tiny dynamic range compared to film.
>> Anonymous
sound engineers have been using these techniques for decades.32 tracks building up a single mono sound was the count of the mid sixties.
your understanding of pitch needs brushing up thou as well as "sliding high and low sets into the audible range" is a bit of the mark.but quadrophonic is about as close you would get to a HDR in photography.
>> Anonymous
you're confusing dynamic range with frequency range.
As for dynamic range everything you hear broadcast or recorded is compressed to fuck and hence HDR already.
As for frequency range,pointless unless you like to hear monitor whistles, flourescent lights and the rumble of passing busses in your music.
>> awesome.jpg Anonymous
>you like to hear monitor whistles, flourescent lights and the rumble of passing busses in your music

THAT's what I'm talking about.