File :-(, x, )
Jesus christ I'm a faggot JerkDouglas !!SAcUcxcIAJA
Motherfuck using the tones is hard for me, what an underwhelming result.

Question: I fucking totally love it when inkers and shit use variant tapering line weights, to give shit a very "illustrated" feel. Are there any resources that talk about how to implement this technique?

Oekaki post(Time: 4 h 24 min, Painter: Shi-Painter Pro, Animation:View)
>> Anonymous
     File :-(, x)


Oekaki post(Time: 8 min, Painter: Shi-Painter Pro, Animation:View)
>> JerkDouglas !!SAcUcxcIAJA
Bullshit. It looks kickass when you do it.
>> Heist !HIkYWfF5Vs
     File :-(, x)
Meh I tried...

Oekaki post(Time: 12 min, Painter: Shi-Painter Normal, Source:>>125315, Animation:View)
>> -(:)
>>125315
I don't really know what you're talking about?

>>125342
I have no idea why you did that, but wow, I'm not sure if you made the picture better or not.
>> Anonymous
     File :-(, x)
Obligatory. Nice drawing OP.

Oekaki post(Time: 6 min, Painter: Shi-Painter Normal, Source:>>125315, Animation:View)
>> JerkDouglas !!SAcUcxcIAJA
>>125345Thx d00d

>>125342I got zero graphic design imagination, ur bg works way beter.

>>125343Dourr, lemme think about my explanation, actually. http://ghostevolution.deviantart.com/art/Kill-Gold-38869758 Okay, so in that picture, the form lines aren't just uniform in thickness. They get thick at areas and taper down at others, and it's like magic for figure drawings. Makes everything that much more organic and purposeful looking. I don't know how people know when to thicken and thin the lines to do that. Motherfucking sixth sense in my opinion. I've heard it referred to as "The Pregnancy of the Form" But that doesn't google for shit.
>> JerkDouglas !!SAcUcxcIAJA
>>125345
waitaminit shes susposed to be a mexican lol
>> Anonymous
>>125345
Next time someone draws a white guy I'll make him drooling over money.
>> JerkDouglas !!SAcUcxcIAJA
>>125367
or just crackers and mayonnaise, lol white people
>> Anonymous
>>125367
that's a jew you're thinking
>> Anonymous
     File :-(, x)


Oekaki post(Time: 10 min, Painter: Shi-Painter Normal, Source:>>125315, Animation:View)
>> -(:)
>>125351
I-it's called lineweight, /ic/ might have something to say about it but it is natural! Get a tablet if you are a jew and don't already have one, or practice moar. It's pretty natural.
>> Anonymous
Niiice
>> JerkDouglas !!SAcUcxcIAJA
Weight. What do you mean 'natural'. Like do you just get it as a level up from exp's?
>> Anonymous
>>125383
you're talking about pressure sensitivity. it's a button in the top right of the canvas, left of the tool box (in normal shii) [P]. click it and there's your options. the first one is for opacity, the second is for pressure
>> Anonymous
http://sketchstudio.cellosoft.com/
>> JerkDouglas !!SAcUcxcIAJA
>>125403

Whoa sonofabitch, I never knew the shit had pressure sensitivities. What in fuck hell?
>> Anonymous
Line weight can be added manually as well
>> Anonymous
>>125403
I hit that button many times, and nothing happens.
>> Anonymous
>>125451
You need to install a java plugin.
http://www.cellosoft.com/software/view.php?id=29
>> Anonymous
Only works for internet explorer, which is a piece of shit.

It says my tablet driver has issues, which it doesn't, because my tablet works just fine.

Is there a firefox plugin for this?
>> Anonymous
>>125453
Cellosoft Jtablet works fine with FF.
>> Anonymous
>>125367
The white guy should be drooling over nascar or world domination.
>> Anonymous
speaking of technical shit, does anyone else have problems with the color selector? sometimes it doesn't move to match the current color. it doesn't happen every time though, and I'm trying to figure out what the hell triggers it.
>> Anonymous
>>125486
Yeah, I've had that happen several times, bloody annoying. I think it's mostly when I use watercolor.
>> JerkDouglas !!SAcUcxcIAJA
     File :-(, x)
The pressure sensitivity is good kinda... for shape dynamics, it kinda sucks a fat dick, but the opacity control rules the school.

I tried to cover up the lame composition with color and shit. Haha.

Oekaki post(Time: 2 h 32 min, Painter: Shi-Painter Pro, Animation:View)
>> Anonymous
     File :-(, x)


Oekaki post(Time: 12 min, Painter: Shi-Painter Normal, Source:>>125490, Animation:View)
>> Sprinkles
>>125452

i did, and still nothing happens?
>> Anonymous
You use thicker lines in the following situations:
-object is in foreground - to put accent on it because it's closer - used when you're drawing many things on the same page - like a still life, a landscape or even just a character that stretches an arm creating an exaggerated foreshortening.

-when there's tension in said lines - like if you're drawing a character sitting down and pressure is applied to the tights. Make the lines thicker there, it gives weight to the person and emphasis on the action of sitting.

-when the area is in the shadow - works when you want to give volume to the subject and suggest a light source. Thicken the lines where shadow is supposed to be and make the lines thinner where bathed in light. Outline “melts” in highlights.

There, hope these clear some issues for you. These rules apply in line drawing only, shading and coloring are another thing.