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Anonymous
>>143174 I feel the same way actually. The first one is dynamic and lively but as I worked on it more I killed the "edgy" look. However, I tend to leave drawings unfinished a lot (it was what my teachers used to remark about me all the time) so now I try to give a polished look to my works. I know there's the risk of ruining the feeling but I'm taking it one step at a time. Hell, until it's marked for deletion, I'll keep going over the image. It's just a drawing on an oekaki board, I'm not looking to win a contest so I can do whatever I feel like to it. >>143157 I like that. Now go and do more. >>143136 Eeerm, I don't count. If I have a clear idea I'll draw it straight away, if not, I just draw untill something strikes my fancy.
>>143097 >>143116 I understand what you're saying but I'm not sure you yourself understand what you wrote. I suppose a more visual approach is best at this time but I have nothing recent uploaded online (and I'm at work) so have a 3 year old nib and ink drawing of bones I rummaged from my photobucket account: http://img.photobucket.com/albums/v297/Uje-neko/desenele%20mele/sk.jpg It's...old, ugh. And since I'm practicing necromancy on my old stuff, holly fuck, my first oekaki on 4chan: http://img.photobucket.com/albums/v297/Uje-neko/desenele%20mele/fix.png Yeeeeah, 4 year old mouse made weeaboo oekaki. I only started drawing like I'm on an "acid trip" since discovering the pressure option and this was in late December last year. I still want to draw like this until I feel like I reached a peak and after that I'll move on to something else.
Oh god, wall of text, apologies for that and thanks for the replies!
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